In order to retrieve the memory of Kinsky, Herzog brought the camera to the place he and Kinsky were familiar with again, and aimed the camera at the long-lost friend. The numerous images stripped of his own illusion in the record. On the outside, the silent truth was revealed. With time and light and shadow, Kinsky's pure face gradually became clear. He was not a strange animal far away from ordinary people, but an extreme specimen of contradictory human nature. He loves the eyes of the outside world paying attention to worship, he must be the center of everything, so he takes advantage of any possible opportunity to deceive the gaze; he is afraid of contact with the outside world, and after shaking hands with others, he always disinfects nervously. ; He likes to show off his advocating nature and wildness, always camping out on location, but he really can’t accept the harsh environment brought by wind and rain, and even screams for a wild bug; behind the raging wildness, he hides With the fear of violence and death, Herzog’s fictional rifle is enough to turn him into a docile lamb; the devil, who used to cut his colleagues with a sharp sword, can carefully bandage the wounds of the photographer like an angel. …The long-thinking "unity of contradictions" in political books is undoubtedly proved by Kinsky. Extreme temperament is a punishment given to Kinski by God, and it is also a kind of favor: Agir, who lost everything in pursuit of the dream of "Eldorado", Wojzak, who is suspicious of his wife's infidelity, and Fezkara, who insists on sailing on land. At this point, we can no longer distinguish whether the success of these roles stems from Kinsky's great acting skills or his detached qualities.
My Best Fiend background creation
2022-02-22 08:01
Extended Reading
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Eliezer 2022-02-22 08:01:32
King Kinsky is the leader of the roaring cult in the world, not only in the play, but also outside the play. The ending is so touching. I like crazy people and things! ! ! ! ! ! !
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Mckenna 2022-03-26 09:01:12
Hilarious and wanting to wipe away tears, Herzog said he sat down together and flipped through Weber's dictionary, just to find more vicious words to describe his bad relationship with both parties, "to boost sales." He described his relationship with Kinski as turbulent, and emphasized several times, Kinski and I COMPLEMENTED each other. One side doesn't need to act like it depends on the other's color. The two forces meet each other, such as estrangement, such as reconciliation. Instantaneous bursts of fury and flashes work wonders, throwing constraints beyond the sky, exchanging, gifting, hurting, containing, contradicting or different, echoing each other without reservation.
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Werner Herzog: Every grey hair on my head, I call Kinski.
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Beat Presser: [Herzog and Presser are looking at Presser's famous picture of Kinski trying to strangle Herzog] I truly like this very much. It happened because he must have sensed the presence of your camera.
Beat Presser: He also just wanted to let you have it, didn't he?