Mona Lisa Smile evaluation action

2021-12-11 08:01
"Smile of Mona Lisa" is good at using plots as hints and contrasts, which reduces the difficulty for the audience to understand the film. In the film, the two factions had completely different results at the end of the film: the opposition was influenced by the teacher and resolutely followed its own path. Instead, the centrist retreated to the "marriage and childbirth" route. This kind of role arrangement and comparison is a common technique in many films. "Smile of Mona Lisa" reflects the theme that new things challenge old traditions. However, at the beginning of the film, in order to show the characteristics of the era in 1953. From the set to the props, from the wallpaper to the headwear, from the wedding to the dance, from the TV series of " I Love Lucy " to the advertisement of camel cigarettes, these all reveal a strong nostalgic atmosphere, and also make the film's external form and essence. The theme of performance does not match   .
"Smile of Mona Lisa" does not belong to the present, it belongs to the present. Watching this film will reveal many things that are both strange and familiar in life. Never compromise, freedom of individuality turned out to be a movie, and it is also a common theme of mankind   .
"Smile of Mona Lisa" can be summed up with only two words-charm. This charm comes from the style of the women's college in the 1950s restored in place in the film, from every exquisite picture, and also from the original songs and soundtracks throughout the film. The songs throughout the film are specially selected "pop songs" from the 1950s, which are regarded as classics all over the world. They not only have the magic power to overcome the barriers of time and space and language, but also will be uniquely favored by Chinese listeners. In the film, these episodes are beautiful and beautiful, and besides the screens, the interpretation is even more mysterious   .
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Extended Reading

Mona Lisa Smile quotes

  • [about Vincent van Gogh]

    Katherine Watson: He painted what he felt, not what he saw. People didn't understand, to them it seemed childlike and crude. It took years for them to recognize his actual technique. To see the way his brush strokes seemed to make the night sky move. Yet, he never sold a painting in his lifetime. This is his self-portrait. There's no camouflage, no romance. Honesty. Now, sixty years later, where is he?

    Giselle Levy: Famous.

    Katherine Watson: So famous, in fact, that everybody has a reproduction. There are post cards...

    Connie Baker: We have the calendar.

    Katherine Watson: you go. With the ability to reproduce art, it is available to the masses. No one needs to own a van Gogh original, they can paint their own. Van Gogh in a box, ladies! The newest form of mass-distributed art; paint by numbers.

    Connie Baker: [reading from the box] "Now everyone can be van Gogh. It's so easy. Just follow the simple instructions and in minutes, you're on your way to being an artist."

    Giselle Levy: Van Gogh by numbers?

    Katherine Watson: Ironic, isn't it? Look at what we have done to the man who refused to conform his ideals to popular taste. Who refused to compromise his integrity. We have put him in a tiny box and asked you to copy him.

  • Betty Warren: You don't believe in withholding, do you?

    Katherine Watson: No. I do, however, believe in good manners. But for you, I'll make an exception.

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