"Mission Impossible 5" has unique character settings, which distinguishes the film from the boring and boring routines of several brawny men in traditional spy action movies. The introduction of the heroine in the filming of the play, and the other actors also share the pressure of the action play, the heroine has also staged the scene of the beauty saving the hero many times, which is also a very interesting response to the tradition. The involvement of retro elements is also a feature of the film, which pays tribute to tradition through the reproduction of many elements.
The film as a whole is said to be the return of the style of the first episode, weakening the visual impact, highlighting the image style and the plot of the characters, plus the strong digital high-contrast tones, which is quite old-fashioned classic suspense, and even gives a Hitchcock style feel. It’s a pity that there are no more breakthroughs in originality. The assassinations in the Opera House obviously refer to the climax passages of "The Catch of the Murder". There are also many Hitchcock-style humours that seem a little weak, and they are a bit weak for black technology. The visual presentation is still cool, but in terms of the creation and impact of the visual spectacle, it is much lower than the previous one, so many people will feel that it is not as exciting as the previous one. The highlights are the super long breath and reversing in the underwater engine room. Backflips and motorcycle chasing scenes comparable to rapid excitement are more like the splicing of multiple movie bridges.
Overall, "Mission Impossible 5" is an excellent commercial film. The whole story is highly completed, full of characters, and full of emotions. It can definitely be called a rare and superior work. Of course, Tom's hard starring also greatly enhanced "Mission Impossible 5".
