Millennium Actress Media Evaluation

2022-01-12 08:02
"Millennium Actress" is the perfect combination of narrative and technique in Kon Satoshi's several works. The shots in "Millennium Actress" are well integrated with the multi-time and space "reality-illusory" narrative technique. With this form, time and space can be easily traveled through time and space without any explanation, thus accelerating and enriching the narrative rhythm. The prototype of Chiyoko in the play is the Japanese actress Setsuko Hara, who has a dreamlike image of "eternal virgin" and "a typical chaste Japanese woman". With real characters as prototypes, and the integration of Japanese film history and Japan’s nearly a thousand years of history, "Millennium Actress" has a certain thick temperament. Kon Satoshi lifted his weight lightly, shooting the animation so pure and gorgeous, it was a bit like MTV. The meta-cinematic nature of "Millennium Actress" is twofold: the first layer is the scene where Chiyoko participated in the shooting, and through more than a dozen movies in the work, showing the taste of "play in play"; the second layer is Tachibana Genya As people who listen to the story in reality, the two not only become bystanders in the play, but also play roles in the play. This metaphor for the audience further enhances the complexity of meta-movies.  
The stunningly produced and fantastical "Millennium Actress" describes the dramatic life of a female celebrity. Following the oral memories of the female celebrity, the film leads the audience to surrealistically shuttle through different time and space, making a gallop across the screen. , Traveling in the real and phantom worlds, the movie has an extraordinary pattern, and the plot is exciting and moving. In addition, the scene scheduling and mirroring are very smooth, which makes the face of this story richer and more interesting. In the film, Fujiwara Chiyoko is a superstar in the heyday of the Silver Screen Film Company in Japan after the war. She has acted throughout Japanese history from the Sengoku period, the Shogunate period, the Taisho period, the Showa period, and all the great era stories; it also covers Japan. All types of movies, including period dramas, war espionage dramas, post-war era dramas and science fiction dramas. "Millennium Actress" intertwined these film stories and her real life experiences, both fictitious and real. Japanese historical fragments of a thousand years passed by in these interweaving real and phantoms, and the plot again combined the actress's life with The combination of the large environment of Japan at that time created a majestic, brilliant and epic legendary story.  
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Extended Reading
  • Jean 2022-03-17 09:01:06

    The picture is beautiful. What kind of motivation can make a woman love a man for a lifetime and keep chasing it? Yes, first of all, a man is a creature that is not worthy of a woman's love, and secondly, what a woman loves is only a journey of love, illusion, and chasing. Because it's the same with me, someone who loves so deeply, actually doesn't remember his appearance long ago.

  • Logan 2022-03-27 09:01:15

    I take this as Jin Min's representative work, because I think that in this work, Jin Min downplayed the desire to use the editing of time and space as a puzzle, and turned to a kind of daily life (this consideration may also directly lead to the most Unlike Jin Min's "The Godfather of Tokyo"), in this way, while retaining its own image characteristics, it also seems a little more approachable to the viewing experience of mainstream filmmakers or film critics.

Millennium Actress quotes

  • Genya Tachibana: [a big truck stops in front of Chiyoko, Genya appears dressed and acting like a 60's truck driver] Hey miss, Don't you look when you walk around here?... Come in!

    Kyoji Ida: This role of savior makes you happy, huh?

  • Chiyoko Fujiwara: The full moon...

    The Man of the Key: It won't appear tomorrow, but I like This moon better. After the full moon begins to wane. But after fourteen nights, starting tomorrow, I hope to see it again. I gotta go.

    Chiyoko Fujiwara: But, you are hurt!

    The Man of the Key: My friends are fighting in Manchuria. The painting is not of much help.

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