Mean Streets behind the scenes

2021-12-08 08:01
Although many people think that the film is a classic in New York movies, in fact, only a few shots of the film were shot in New York. Most of the scenes, including the billiard section in the film, were shot in Los Angeles. of.
In addition to playing Jimmy Schotts, Martin Scorsese has also appeared twice in the film. The first time was at the beginning of the movie, he played a portrait of a person; the second time, he narrated "Father I'm not worthy of your flesh" as a voice-over.
Catherine Scorsese starred in the film as a woman who helped Teresa when she had a seizure.
After finishing the shooting of "Cold-Blooded Thunderbolt", both John Casavites and John Milius suggested that Martin Scorsese should create a more "private" work next, which prompted Scorsese to complete The script for the film was created and quickly put into filming.
The film is the first collaboration between director Martin Scorsese and actor Robert De Niro.
The extensive use of handheld cameras in the film is actually a measure taken to avoid over-expenditure of the originally meagre budget, so that there is no need to lay a lot of tracks in all the tracking shots.
In order to convey Harvey Kettler's feeling of being drunk more vividly, the director strapped a camera to him. When he shakes, the lens will create a hazy and drunk impression.
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Extended Reading
  • Edwardo 2022-04-23 07:02:05

    The first collaboration between Martin Scorsese and Robert De Niro, along with the then-young Harvey Keitel, was arguably the golden combination of gangster films. In the purest Martin style in the early days, the film describes an unconscious life state of the bottom members of the Mafia, and the character differences of the three friends in the smoke and alcohol atmosphere secretly determine their respective fates.

  • Jaquelin 2022-04-21 09:02:07

    Watching this and "Goodfellas" on the same day, I can really see how Martin Scorsese has changed and unchanged. The occasional stop-motion and slow-motion, multi-angle jump cuts, and asynchrony between sound and picture, these elements that were more obvious in his early works, appear more regularly in "Goodfellas", and the good taste of the soundtrack is always the same. One of his strengths. Still taking gangsters in the Italian area of ​​the United States as the subject, the theme of gangs and brotherhood is also continuing. The change is that 17 years later, he replaced the individual struggling with his hands to the flames with a more flexible multi-angle narrative and a more macro perspective of God; he replaced the complex and moving emotions among the little gangsters with a shredded cocoon. Look at the power system within the gang, how the so-called goodfellow friendship becomes a joke in the face of profit. The former is more sincere, the latter is very skilled and sharp. 31, 48.

Mean Streets quotes

  • Tony DeVienazo: You want me to say it? You gotta be like me.

  • Johnny Boy: Your grandma's gonna die, right?

    Charlie: Yeah, right.

    Johnny Boy: Did you like her?

    Johnny Boy: What do you mean do I like her? She's my grandma.

    Johnny Boy: So what? That don't mean nothin'. So what?

    Charlie: What's the matter with you?

    Johnny Boy: What's a matter wit chu?

    Charlie: Anyway, she ain't dead yet. God forbid. So, shut up.

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