Marshland evaluation action

2022-01-17 08:01
The film’s narrative details are actually very quick and accurate. The social background is the cause of this dark crime story. In the process of detecting the case, the script uses props to simply and effectively set the foreshadowing of the plot reversal, which is effectively misleading. In addition to the clever viewers who have read a lot of films, they are still forming a causal relationship with the case itself and the parties, making the clues of the whole case even more confusing. The whole movie is always trying to use a bird’s-eye view of God to create a sense of fate and ritual. Flamingos and kingfishers trapped in the room are also inserted in the image, but the film is still lacking in visual impressions. Deeply stylized images.
The screenwriter spent a lot of thought on the policeman Juan. Regarding his identity as a fascist policeman, this character deceived his companion Pedro at one time and also deceived the audience. In this story, the political situation alternates between the old and the new, and the people live in dire straits. In order to have a better living environment, each of them seems to be able to do whatever it takes to become hypocritical and indifferent. The whole society is gray, justice and good and evil are suppressed and violated here, just like the ending of this story.  
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Extended Reading
  • Alphonso 2022-03-25 09:01:18

    The plot conflict is not deliberately emphasized, the plot is very monotonous, and it seems that the audience has been refused to intervene. The exterior scene is great. We are one step closer to the truth.

  • Misty 2022-03-17 09:01:07

    Crime suspense themes can be regarded as a signboard of Banya Country. The drama of this film is still quite satisfactory, and the production level is quite pleasant, especially during the late night car chase period. It feels like the big boss is a bit too overwhelming and not strong enough. In addition, the unknown past of one of the protagonists seems a bit superfluous.

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