Sofia Carmina Coppola has always been fascinated by French history in the 18th century. In her heart, the Palace of Versailles is no longer a palace building, but a condensed national history. She chose the biographical novel Maria Antonia Josepha Johanna: Journey published by Antonia Fraser in 2001 as the adaptation object instead of the biography "The Decapitated Queen: The Double Tragedy of Revolution and Marriage" written by Stephen Zweig. It is because the latter's portrayal of Queen Mary is more focused on politics and history, while the former has a more character touch. She focused her script on the period when Mary was in the Palace of Versailles, focusing not on the historical evaluation of Mary, but on the vitality and appeal of the young people in the court, which can allow the audience to blend in and go back to history together.
Marie Antoinette Creative background
2021-12-12 08:01
Extended Reading
-
Eliane 2021-12-12 08:01:14
This film is not too unbearable, too flashy and empty, especially after reading Dumas's "The Broken Head", I understand the "lightness" of Sophia's shooting technique. That era was a flashy and empty era, KK It is the girl described in the book, who knows nothing about world affairs and only knows how to enjoy herself. When she knows how to be a queen, she has to face the guillotine.
-
Troy 2022-04-24 07:01:07
Everyone says that Jukongdong has no meaning except to show fashion but... why do I think it's super beautiful...
-
Marie-Antoinette: Am I to be Austrian or the Dauphine of France?
Ambassador Mercy: You must be both.
-
Duc de Choiseul: [about Louis and Antoinette's wedding night] Appearently... nothing happened.
Louis XV: [surprised] Nothing?
Duc de Choiseul: Nothing, my lord.
Madame du Barry: [chuckling] Oh, dear!