Madadayo evaluation action

2022-01-26 08:47
Wind Man's "まあだだよ" is really an old naughty movie. It is different from his previous "Dream" and "August Rhapsody". The trivialities don't make up stories, and the old man's chattering energy in the movie may not be used by younger children, but it has its own childish fun and willfulness. There is a saying that it is rejuvenation, and the old eyes are not dim. In the film "Dream", the wild old man in front of the waterwheel house is a wise man. In "August Rhapsody", he is holding an oiled paper umbrella, and in Schubert's "Youth See Wild Roses" singing in the rain The sloppy old grandma has seen a bit of open-mindedness and frankness, but in "まあだだよ", she went further and more freely. The films that Wind Man has been making are Shakespeare's feelings intertwined with history and human nature. Those sympathetic and colorful dreams are a thing of the past. The splendor should be dull. After the magnificent epic is written, it will be turned into a sketch that is simple, leisurely, and happy.
"まあだだよ" has the realm of idyllic poetry and the vigorousness of Han Yuefu, but it does not have the negativity of going out of the dust and immortals. The true temperament of the old man who likes to compose an ode to the evening, the Orientals are especially happy to see it. Wind Man used a lot of red light for the filming of "まあだだよ", Uchida Baixian was sitting in a grass hut like an old monk entering the settlement, the garden fence of the new house, the weeping willow in the sunset, the professor's wife in a kimono leaned over to feed the fence and got into the gap The wild cats, the pictures of life are warm and pleasant, and the music of Vivaldi is really appropriate. Wind Man has a background in Western painting, and is as handy as using palettes in movies.
The mature and freehand style of "まあだだよ" is really like a Wind Man making a final summary of his life, like a lead flower washing out his true heart, and also like a farewell speech prepared in advance, although it is revealed between the lines It is ten thousand reluctance   .
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