Lost Highway Psychological film

2021-11-15 08:01
This movie that subverts logic is an exception in the Hollywood film market, which always makes every effort to make the audience understand even a trivial detail. In this movie full of mysteries, David Lynch cleverly and unobtrusively uses the principles of psychoanalysis to complete this masterpiece. Different from Hitchcock's straightforward quotation of Freud's psychoanalysis, "Monsters in the Night" makes the audience feel that it is consistent with psychoanalysis everywhere, but it is difficult to grasp where the coincidence lies. In "Doctor Edward", Hitchcock originally created a dream based on Freud's theory of unconsciousness, so it seemed too deliberate and straightforward. The anxiety and fear brought to the audience by "Monster Night Panic" is so real that it makes people feel that it is really a nightmare once experienced by David Lynch. Therefore, Lynch is much smarter than Hitchcock in the way of expressing psychological suspense.
However, David Lynch only presented a fragmented dream and reality without any comment on it. Therefore, whether it is the recurring mirrors in the film, the wooden house restored from the fire, or the mysterious video tape, Lynch leaves all these weird and obscure details to the audience to play with. This is exactly his brilliance. What he wants to express is actually very simple, but it leaves the audience with unlimited imagination. 
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Extended Reading
  • Isobel 2022-03-26 09:01:04

    Rewatch. Six-star movie, postmodernist model. Lynch's image points to the future, and any psychological deconstruction is useless. Imagery is perceptual, and as we hit the dark road with David Bowie's I'm Deranged, we've become jazz musicians in a frenzy. Sexual, violent, bizarre, we're madly absorbing Lynch's video drug, turning off the sun, and pulling the stars down from the sky. Death and fear surround us. The change of identities between maintenance workers and musicians, the death of Dick Lauren, "true and false when false." We can't tell the difference between the real and the fake, let alone know the boundary between the real and the fake.

  • Maudie 2022-04-24 07:01:05

    0812 Big screen rewatch. The corner of the theater in the middle of the night feels a little scary but still charming. His movies are "flying big" style in my heart, the green and red are wonderful and suffocating. I really like this one, it has a lot of aftertastes, and the structure is interesting. It's hilarious to see Manson.//I look at the disparity between the human brain and the human brain.

Lost Highway quotes

  • [Pete, disturbed by the saxophone music on a radio, switches the channels]

    Phil: What'd you change it for? I liked that.

    Pete Dayton: Well, I don't!

    Phil: I liked that.

  • Bill Dayton: The police called us today.

    Pete Dayton: What'd they want?

    Bill Dayton: They wanted to know if we had a chance to find out what happened to you the other night. And they wanted to know if you remembered anything.

    Pete Dayton: But... I don't remember anything. What'd you tell them?

    Bill Dayton: [after a long pause] We're not going to say anything about that night to the police.

    Candace Dayton: We saw you that night, Pete.

    Bill Dayton: You came home with your friend, Sheila.

    Pete Dayton: Sheila?

    Bill Dayton: Uh-huh. There was a man with you two.

    Pete Dayton: What is this? Why didn't you tell me anything? Who was the man?

    Bill Dayton: I've never seen him before in my life.

    Pete Dayton: What happened to me? Please Dad, if you know, tell me.

    [Bill and Candace sorrowfully look away from Pete]

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