Lost Highway Psychological film
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Isobel 2022-03-26 09:01:04
Rewatch. Six-star movie, postmodernist model. Lynch's image points to the future, and any psychological deconstruction is useless. Imagery is perceptual, and as we hit the dark road with David Bowie's I'm Deranged, we've become jazz musicians in a frenzy. Sexual, violent, bizarre, we're madly absorbing Lynch's video drug, turning off the sun, and pulling the stars down from the sky. Death and fear surround us. The change of identities between maintenance workers and musicians, the death of Dick Lauren, "true and false when false." We can't tell the difference between the real and the fake, let alone know the boundary between the real and the fake.
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Maudie 2022-04-24 07:01:05
0812 Big screen rewatch. The corner of the theater in the middle of the night feels a little scary but still charming. His movies are "flying big" style in my heart, the green and red are wonderful and suffocating. I really like this one, it has a lot of aftertastes, and the structure is interesting. It's hilarious to see Manson.//I look at the disparity between the human brain and the human brain.
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[Pete, disturbed by the saxophone music on a radio, switches the channels]
Phil: What'd you change it for? I liked that.
Pete Dayton: Well, I don't!
Phil: I liked that.
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Bill Dayton: The police called us today.
Pete Dayton: What'd they want?
Bill Dayton: They wanted to know if we had a chance to find out what happened to you the other night. And they wanted to know if you remembered anything.
Pete Dayton: But... I don't remember anything. What'd you tell them?
Bill Dayton: [after a long pause] We're not going to say anything about that night to the police.
Candace Dayton: We saw you that night, Pete.
Bill Dayton: You came home with your friend, Sheila.
Pete Dayton: Sheila?
Bill Dayton: Uh-huh. There was a man with you two.
Pete Dayton: What is this? Why didn't you tell me anything? Who was the man?
Bill Dayton: I've never seen him before in my life.
Pete Dayton: What happened to me? Please Dad, if you know, tell me.
[Bill and Candace sorrowfully look away from Pete]