Generally speaking, the film can be regarded as a smooth and thrilling rescue movie. There are two lines of light and dark in the film. The one that is clear is to rescue the president's daughter, which is intense and intense. The secret one concerns the internal corruption of the secret service. Guy Pearce has to find out the truth about the corruption in such a tense process, adding countless variables to the entire rescue operation. Such intertwining of light and dark makes it easy for the plot to be confusing, and the audience is incomprehensible. However, the writers headed by Luc Besson have handled the trends and emergencies of the plot well. Generally speaking, the whole movie is smooth and fast, and there is no muddy water. place.
"Lock-Out" is not a movie that only relies on gunfights, fights or science fiction as its selling points, but a thrilling entertainment film that combines the two. Even the cliché of heroes saving beauty, Luc Besson also used fashionable and novel ways, and then relied on Guy Pierce's comedic talent to make the whole movie very interesting.
"Lock-Out" unexpectedly adds a lot of comedy elements. Its French humor makes the ratio of comedy and plot just right, neither overwhelming nor sudden. The film has about 500 computer stunt shots, how the protagonist fell from the sky into the earth, and the chasing scenes of the space motorcycle are quite dazzling. "Lock-Out" not only has stunning special effects, but also shows Luc Besson's vision of high-tech in 2079 from another level. This is undoubtedly another attempt to go beyond his science fiction film.
The performance of Guy Pearce, the hero of the film, is very impressive, and the image of the ruffian is also very good. Most of Guy Pearce's lines in the film will make people laugh as soon as they are spoken. It is slightly classic. Although his image of the ruffian is relatively different, it is very popular.
