Jacob Salvati performed Little Boy, who was more than one meter tall, in a two-meter aura. He was so acclaimed at his young age that he almost supported the entire film by himself. Between his gestures, he did not lose to the adult actors around him, and his roles were sometimes pitiful and cute. The film is a warm chicken soup film suitable for the whole family to watch, emphasizing the themes of faith, hope and love. As the story unfolds, what the director wants to express slowly emerges, including how to face the cruel reality while growing up in adversity, how to have the belief in Yishan, and the courage to face the inner fear. It also reveals the ugliness of bullying and racial discrimination. , Expressing the beauty of forgiveness and reflecting on the war. Interpreting war from the perspective of children and seeing the big from the small is a rare thing. But the setting of the story is too modest, not much different from many warm and inspirational films. There are many coincidences and exaggerations in the plot, and even magical to make people laugh or cry. But this is what might happen in the child's world of love
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The story of the film is concise, novel and clear. Coincidental and routine editing can be seen everywhere. At first glance, it is a routine family work, but the director in turn took advantage of the audience’s cognitive illusion of routines and presented a kind of Cognitive experience unique to movies. The whole film uses a Magnesium lens to create a dreamlike picture of a small town in the 1940s in the United States. The thoughts of war, family, nation, friendship, and faith that travel through it add a lot to this work. The director’s reverse use of routines and Duhe is amazing. A common and mediocre story is slightly converted to match the film’s limited perspective, which confuses synchronicity and causality, and greatly amplifies Little Boy’s efforts, causing people cognitive illusion, and wake up some sublime existence of people's hearts in
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