The filming style and editing techniques of the film are unconventional, and the completely different style of painting subverts the audience's imagination. Although director Kirill chose to use black and white tones for the narrative, the simple strokes on the screen and a large number of rock and roll music MVs reappeared from time to time to make the overall tone of the film playful and agile. For rock lovers, it is definitely a documentary work that is enjoyable enough. However, beyond the technical level, the story of the film is somewhat lacking, which is not coherent and attractive
.
This black-and-white film is like a sweet and sad old memory, and like a not-so-real dream. What's more interesting is that four surreal trains are interspersed in the film, which breaks the use of the fourth wall with the combination of virtual and reality, making everything smart and full of childishness. The film may be classified as a romance, but it is actually about the relationship between personal life and power, collective, and grand narrative. It seems to be light and windy, but it actually describes a utopia from a very personal perspective, a kind of wonderful dream under the dome of power. The real musician in history has been working hard to shout for social issues and rights, but the director deliberately cut off the surface of those real connections, and instead narrated the love of his children in a delicate manner. However, political issues are not exits, but concealment and retreat. As a diffuse background, this is an effective method of retreating.
.
Although the film sets time in a more sensitive period, the director obviously does not intend to lash out at the political system and the current situation. Wrapped in the outerwear of rock and roll, the love triangle is another main thread. It is precisely because of this that although the focus of the film lies on the clarity of black and white light and shadow, the smoothness of mirroring, and the skill of scheduling, the narrative is squeezed to the thinnest state. The political background is almost defocused, which leads to the narrative almost flat and dominates the whole. The film is full of emotions, and the shortcomings are also clear at a glance
.
