Leap! evaluation action

2022-04-02 08:01
The anachronistic pop songs in the film are paired with classic dances. In fact, the effect is quite good, and it can also help attract the attention of children.
"Ballerina" has too many random things, all kinds of jumps, that can't form a whole. ("Los Angeles Times" review)
The film is full of half-formed ideas, too many meaningless pursuit of dreams.
"Ballerina" is a whimsical blush that satisfies one's own wishes, one by one to all the clichés that follow the heart.  
The whole story of "Ballerina" is simple, but not lacking in interest, and the theme core is straight, but there is no lack of depth. In addition to the theme of dreams, the presentation form of the film also combines the beauty of a mix of classical and popular. It not only has the elegance and lightness of ballet, but also has the dynamic and vitality of tap dance. "Ballerina" takes dreams as the main line, supplemented by various types of elements such as adventure, adventure, inspiration, love, etc., so that this cartoon breaks the routine of low animation plots in terms of type, and grafts the characteristics of commercial movies into animated films. The mode, with the theme of sincere focus on personal growth and chasing dreams, resonates widely with the audience, dancing together, laughing loudly, warm and joyful. The high-quality animation, the theme of dreams and personal growth, has profound educational significance.  
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Extended Reading
  • Amani 2022-04-06 09:01:06

    (6.0) My question is, why did they send the American people a completely oxidized Statue of Liberty? Is the profound revolutionary friendship between the United States and France still necessary?

  • Kennedy 2022-04-02 08:01:01

    This is the structure of a kung fu movie. A hot-blooded girl meets a reclusive master, learns from an apprentice, and finally the plot reverses. The animated dance scenes are smooth and natural, slightly exaggerated and convincing.

Leap! quotes

  • Regine: [to Odette, as she and Felicie are cleaning the stairs] Get up.

    Odette: [meekly] Yes, ma'am.

    [gets up, but keeps her head down]

    Regine: [referring to Felicie] Who is this?

    Odette: No one. She helps.

    Regine: YOU feed her. Out of YOUR wages.

    Odette: Yes, ma'am.

    Regine: I want you to air and press the linen.

    [whispers]

    Regine: NOW.

    [Odette leaves. Regine looks down at Felicie coldly. A visibly frightened Felicie resumes cleaning the stairs]

    Regine: It's not clean.

    [purposely pushes the bucket of scrubbing water with her foot; the water spills down the steps, much to Felicie's shock]

    Regine: Oops! Oh, look what you did.

    [smiles wickedly and leaves]

  • Felicie: [on her first day of dance class, shyly greeting the other girls] Hi. Hello.

    [to herself; when none of the girls respond]

    Felicie: Okay. Super.

    [louder]

    Felicie: I'm Felicie.

    Nora: [confused] Felicie?

    Felicie: [realizes her mistake] Uh, no, no, no, no, no. Sorry. I'm... friendly, ever so friendly. And my name is Camille.

    Nora: Okay. I'm Nora, but everyone calls me... Nora. That's... the name that goes with MY face.

    [laughs]

    Nora: Hey, you should warm up.

    Felicie: [to herself, confused] Warm up?

    [shrugs and tries to literally 'warm up' by rubbing her hands on her arms]

    Dora: [amused] Oh my. That is crazy. I'm guessing you're new, my darling?

    Felicie: [awkwardly] You can tell that because...?

    [Before Dora can answer, Mérante enters the room. The girls quickly gather to one side of the room]

    Felicie: Who is that?

    Dora: [rolls her eyes] You are joking, right? It's Louis Mérante, ballet master, world-famous choreographer, the man who performed the most fouettes ever in a single solo.

    Felicie: Foo-what?

    Dora: Turns. Really difficult turns.

    Nora: 187 in total. And right after, he vomited!

    Mérante: Silence, mademoiselle! First position, second...

    [All of the girls except Felicie go through the basic ballet positions]

    Felicie: [lost] What?

    Mérante: Third, fourth, and rest in fifth.

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