Since "L'avventura", M. Antonioni began to explore the theme of emotional and spiritual crisis and estrangement of modern people under the rapid development of material civilization. When the film was released, it received a lot of criticism, because it did not explain the whereabouts of the missing according to common sense, but made a fuss about Sandro and Claudia, the pair of protagonists, but this is also the biggest feature of the film. M. Antonioni is not telling a story about detecting suspense, but mainly showing the confused choices and instability of the middle class in erotic and moral. The character's psychological portrayal of the film is very good, and the use of the lens also shows the proper cooperation of the middle-class sentient beings and the empty lens, all showing the director's skill. The isolated island in the film completely symbolizes the character's loneliness and emotional indifference, which can be called a classic bridge in the history of film. The disadvantage of "L'avventura" is that it is slightly lengthy, and the style is obviously following the line of petty bourgeoisie in literature and art, and it is not easy to be accepted by the general public
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L'Avventura evaluation action
2022-01-12 08:01
Extended Reading
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Deshaun 2022-03-27 09:01:14
The representative of the flow of life, the film language change and the modernist art influence the milestone of the film, and the plotless film starts. Intellectuals' loneliness and uncertainty of spiritual anxiety, exploration and analysis of the soul, and the question of modern survival value from the perspective of existentialism and Freud. Complicated and slow long shots, silent and minimal dialogue, restrained performances, no emphasis on music and light effects. Id, film language, artistic performance, audiovisual signifier, blonde
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Kelvin 2022-03-20 09:02:23
The subtle combination of architecture and actors' positions. The scene in the previous section of Kojima would feel very experimental as a movie, but Antonioni kept walking around and then turned into a road movie.
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Claudia: It's absurd.
Sandro: Good. All the better if it is absurd. It means we can't do anything about it. Understand?
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Claudia: To think that you must have told Anna these same things--I don't know, how many times.
Sandro: Let's say I did. I was as earnest with her as I am now with you.