Since "L'avventura", M. Antonioni began to explore the theme of emotional and spiritual crisis and estrangement of modern people under the rapid development of material civilization. When the film was released, it received a lot of criticism, because it did not explain the whereabouts of the missing according to common sense, but made a fuss about Sandro and Claudia, the pair of protagonists, but this is also the biggest feature of the film. M. Antonioni is not telling a story about detecting suspense, but mainly showing the confused choices and instability of the middle class in erotic and moral. The character's psychological portrayal of the film is very good, and the use of the lens also shows the proper cooperation of the middle-class sentient beings and the empty lens, all showing the director's skill. The isolated island in the film completely symbolizes the character's loneliness and emotional indifference, which can be called a classic bridge in the history of film. The disadvantage of "L'avventura" is that it is slightly lengthy, and the style is obviously following the line of petty bourgeoisie in literature and art, and it is not easy to be accepted by the general public
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L'Avventura evaluation action
2022-01-12 08:01
Extended Reading
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Brett 2022-03-19 09:01:07
1. The lens picture is small and fresh in black and white; 2. The isolated island segment is impressive. 3. "The first of the modern love trilogy", lonely souls and disturbed emotions; 4. Can men's tears be redeemed? !
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John 2022-03-21 09:02:46
#filmarchive# Antonioni said that since Sandro has fallen in love with Claudia, there is no need to care about Anna's whereabouts. In 1966, when answering a question from a film critic, Godard used films such as "Adventures" as an example, declaring that he agreed that a narrative film should have a beginning, a middle and an end, "but not necessarily in accordance with This order is not acceptable." After "Adventures", "plotless" films were all the rage.
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Sandro: [Admiring the buildings of a small town from a rooftop] Such imagination. Such movement. They were concerned with the architectural aesthetics. Such extraordinary freedom. I must go ahead and leave Ettore. I'd like to work on design again. I used to have ideas of my own, you know.
Claudia: Why did you stop?
Sandro: Why, why, why? Because it isn't easy to admit that a red floor suits a room when you are thinking exactly the opposite. But the lady wants it red. Because there is always a lady... or a man... and so... Once I was asked to make the estimate for the construction of a school. It took me a day and a half. I earned four million lira. So I went on giving estimates of other people's projects. Why are you looking at me this way?
Claudia: Because I am convinced you could make really beautiful things.
Sandro: I don't know. I really don't know about that. Who needs beautiful things nowadays, Claudia? How long will they last? All of this was built to last centuries. Today, 10, 20 years at the most, and then? Well...
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Sandro: Did you know that when I was a boy I wanted to be a diplomat? Can you imagine that! Me, a diplomat? It's strange but I never thought I'd be rich. I saw myself living in a rooming house, full of geniuses... Instead, I have two apartments, one in Rome and one in Milan. As far as genius goes, it's a habit I've never formed. What do you think of that?