The main characters of "L'Annee Derniere a Marienbad" did not appear until 15 minutes after the beginning of the film, completely abandoning the character and even individual-centered theatrical structure of Hollywood. This is not just an innovation in film techniques in a pure sense, but more importantly. Movies are embodied by literary elements and mental control. Many actions of the heroine in the film are unclear, making it difficult for the audience to understand. In many cases, the actions and reactions of the characters make it impossible for the audience to directly understand their motives and goals. At the same time, whether the theme of love exists in the film is even more questionable. Although the film starts from the first dialogue scene, it is full of the illusion of the hero's love for the heroine, but the expression of this feeling is always difficult to break through the dialogue and reach a new level. The atmosphere created by the whole film makes the audience not only rely on the protagonist's large-scale narration and persuasion, but also clearly expresses that these dialogues and words are difficult to connect with the love theme on the surface of the film. Dialogue and voice-over are no longer limited to the meaning of the text itself, but a tool for the pursuit of literary picture expression.
Last Year at Marienbad evaluation action
2022-01-12 08:01
Extended Reading
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Kole 2022-03-26 09:01:10
The traditional film is to construct the timeline and space, and give the characters the characteristics of the environment. Renais will try to penetrate the time and space to construct the changeable world, just like the classic human figure. In the scene where there is no shadow of the tree, the world that exists outside is constructed with dialogue. The dialogue in the whole movie ignores the body of the characters, ignores the walls, ignores the reality and the past, ignores the place where the event happened, the fiction and the truth are only in the hearts of the people
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Bette 2022-03-15 09:01:05
Is it a literary work or a film work?
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X: I must have you alive. Alive, as you have already been every evening, for weeks, for months.
A: I have never stayed so long anywhere.
X: Yes, I know. I don't care. For days and days. Why don't you still want to remember anything?
A: You're raving! I'm tired, leave me alone!
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X: [Last Lines] The grounds of the hotel were symmetrically arranged, without trees or flowers, or plants of any kind. The gravel, the stone, and the marble were spread in strict array in unmysterious shapes. At first sight, it seemed impossible to lose your way. At first sight... Along these stone paths and amidst these statues, where you were already losing your way forever in the still night, alone with me.