Bernardo Bertolucci, who directed this film, is the most eye-catching master film director in Italy after Fellini. He is considered by the Western film industry to be "the most talented and unexpected among the new generation of Italian directors in the 1960s." One".
Bertolucci is a film master who is good at analyzing the psychology of characters. He is good at describing the inner contradictions of people in a specific environment. His analysis of the characters in the film is actually a self-analysis. When filming "Ultimo tango a Parigi", Bertolucci was in a state of extremely decadent thoughts. Although three years have passed since the left-wing cultural movement that swept Europe in 1968, its influence cannot be dissipated from people's hearts at once. In such a turbulent era, some people are looking for excitement in rock music, some are wandering in personal emotions, and some are thinking hard. Bertolucci expresses his depressed emotions through the film. "Ultimo tango a Parigi" is like a double-sided mirror. On the one hand, it reflects Paul's inner world from the religious morality, and on the other hand highlights the director's "self" soul.
