Lars and the Real Girl Creative background

2021-11-26 08:01
Screenwriter Nancy Oliver said that while wandering the Internet, he accidentally discovered a company that specializes in artificial inflatable dolls. Those bizarre dolls have been lingering in Nancy's mind, and she is determined to create a script about a beautiful and weird life story, not a script with erotic humor.
When producer John Cameron first picked up the script, his attitude was indifferent, but as his eyes jumped between the lines, his mood quickly became excited, and he was firmly attracted by the story of Lars. Cameron immediately thought that the film should be directed by Craig Grisper. Cameron has been paying attention to Grisper’s works, and he knows Grisper’s preferences and narrative skills.
Although the director was in place smoothly, finding investors for the film has become a big problem that is difficult to solve. The subject matter of the film is sensitive and scares many people away.
Three years later, Bill Holberg, the director of production at Sidney Kimmel Entertainment, took a fancy to the script and recommended it to the company's president, Jim Tauber, who also became interested. The two sides met immediately and reached an agreement soon.
<< Foxtrot evaluation action Lars and the Real Girl movie plot >>
Extended Reading
  • Al 2021-11-26 08:01:45

    A small town full of warmth can melt a heart that has been frozen for many years. The director and screenwriter use an absurd story to tell and interpret the meaning and value of love in a different way; Gosling’s seemingly dull but aura of performance, and a solution Sad and hopeful ending.

  • Kennith 2021-11-26 08:01:45

    I was deceived by the evaluation, which led me to look forward to the movie towards the end, but when I saw the ending, I knew what boredom and failure are.

Lars and the Real Girl quotes

  • Dagmar: So, tell me about Karin. I don't know her very well.

    Lars Lindstrom: Oh, she's wonderful. Gus and I are very lucky with women - she's wonderful. But she...

    Dagmar: That's okay, let's find you something to read

    Lars Lindstrom: No, it's just... between us?

    Dagmar: Of course.

    Lars Lindstrom: I'm worried about her. I think she has a little problem.

    Dagmar: Oh, well, maybe you shouldn't tell me.

    Lars Lindstrom: No, that's okay. It's just, and I think it's because she's insecure, it's just, she's just always trying to hug everybody. You know, some people don't like that. Some people don't like to be hugged. But she doesn't realize that. She takes it personally, and, it hurts her feelings. I don't know what to do about that. Do you?

    Dagmar: It's such a comfort sometimes, just to have somebody's arms around you. Don't you think?

    Lars Lindstrom: No.

    Dagmar: It feels good.

    Lars Lindstrom: It does not feel good. It, it hurts.

    Dagmar: Oh, like a cut, or bruise?

    Lars Lindstrom: Like a burn. Like when you go outside and your feet freeze and you come back in and then they thaw out? It's like that. It's almost exactly like that.

    Dagmar: Same with everyone?

    Lars Lindstrom: Uh, not really with Bianca. But everyone else

  • Dagmar: Don't you want to be an uncle?

    Lars Lindstrom: Don't you want to be a mom?

    Dagmar: [pauses, whispers] Yes. But I'm not able to have children of my own.

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