Ladies in Lavender behind the scenes gags

2022-04-08 08:01
The wonderful violin performance in the film is from Jochabel, who is known as "the most handsome violin player today", and his performance adds a lot to the film. In 2000 Oscar's best soundtrack for the movie "The Red Violin ", it was his excellent performance that made such a pure classical work win the grand prize. This time, he stepped into the soundtrack performance again, using elegant, meticulous and unique piano sounds to penetrate into Poland in the film. The role of violinist Andrei, with superb piano skills throughout the film, shocked the audience.
Nigel Hess, a well-known British soundtrack composer, is also the exclusive composer and music director of the Royal William Shakespeare Company. The Royal Philharmonic Orchestra, through the trendy orchestral technique, presents the film's both quiet and soulful qualities, from the first touching note of the first track "Ladies in Lavender", it deeply captures the listeners heart of! Hayes more subtly blends Jules Émile Frédéric Massenet 's "Tais Meditation" (No. 5), Sarasate's "Prelude and Tarantella" (No. 8), Achille-Claude Debussy "Brown-Haired Girl" (No. 13), Niccolo Paganini "” (No. 16) and other works, seamlessly matching the classical masterpieces with the new creations.
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Extended Reading
  • Lew 2022-04-15 09:01:07

    The story of an old woman falling in love with a young man, and an old man falling in love with a young woman, the British really love music and other arts, and even the old maid listened with great interest.

  • Maribel 2022-04-08 08:01:02

    ·The title translation is awkward. ·I want to quit prime recently (I really don't want to), so I use this film as a temporary stop. ·British tenacity and melancholy, like dank air, heavy, pressing on the heart, but not affecting breathing. · The interpretation of the two ladies is subtle and precise, touching, and it is a fascinating enjoyment.

Ladies in Lavender quotes

  • Andrea Marowski: [Andrea is about to leave, turns to Ursula] I walk.

    Ursula Widdington: Oh, good. Um... we have chicken for supper.

    [Andrea looks at her, not understanding]

    Ursula Widdington: Um, um...

    [she picks up Janet's German-English dictionary, but stops before opening it]

    Ursula Widdington: Oh! Uh, Hundchen zum Abendessen.

    [subtitles: Puppydog for supper]

    Andrea Marowski: [he laughs] Hundchen?

    Ursula Widdington: Hundchen, ja.

    Andrea Marowski: Das ist gut. Wiedersehen.

    [subtitles: That's good. Goodbye]

    Ursula Widdington: I'll see you later.

  • [Ursula looks out the window, waiting for Andrea to return]

    Janet Widdington: He won't be here any sooner.

    Ursula Widdington: No, I know, I just... I told him we were having chicken.

    Janet Widdington: I think we should eat.

    Ursula Widdington: No, let's wait. He's sure to be here soon.

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