Huang Zhiqiang, John Chiang, and Zou Wenhuai, these people who once left their names in the history of Hong Kong film and television, were once again put on the stage, showing their faces in shock, and the feelings of "not forgetting, there must be echo" are almost overflowing. Putting aside the grand historical themes, Teddy Chan, who started as a police and gangster film, drove the crime-solving drama, which is obviously more handy. Even though the suspense of the film is still to be developed, the premature exposure of the murderer makes the continuous tension of the second half of the drama a luxury, but at least the plot It is complete, with a tight rhythm, and the emotional drama is on the spot. It has not been messed up by big and improper political intent, and it has not been appetizing by the lyrical drama of the mother-in-law. I have to say that compared to costume dramas and historical dramas, Hong Kong directors are indeed suitable for such a small and beautiful genre as police action movies.
There are a total of 7 fights in the film. Donnie Yen and Wang Baoqiang face each other head to tail in the film, interspersed with Wang Baoqiang challenging various martial arts masters one by one. The arrangement of the play was consciously carried out in accordance with the Kung Fu formula, first fist and then the leg and then grab, after playing the weapon, then mixed martial arts. The ultimate decisive battle between the two is on the highway where cars go. Every time they fight it makes people feel that the protagonist will die in a car accident in the next second. It is the same as other domestic 3D movies, the effect is not obvious, if you don't take off the 3D glasses, you may not find yourself watching a 3D movie.
