King Kong Shooting process

2021-12-09 08:01
Raiden Hua Film Company was cautious about the film at first, until after seeing Fay Wray, Robert Armstrong and Bruce Cabot's audition and O'Brien's dinosaur model, it gave full recognition. Cooper stopped the shooting of "Creation", and the crew turned to " "King Kong" effect. Cooper asked the British best-selling author Edgar Wallace to take charge of the script and even the novel, hoping to advertise the film as a novel adapted from Edgar Wallace. Wallace began working on the script of the film on New Year's Day in 1932. When the first draft of the script entered the revision stage, Wallace died suddenly on February 2. But Cooper still let Wallace's name appear on the list of screenwriters.
When O'Brien originally created King Kong, he described it as "a half-man and half-animal creature covered with hair and a nightmare face with blue fangs". At the same time, he hopes to resonate with the audience. This King Kong must behave " "More like a human", this move drew firm opposition from Cooper, who firmly believed that King Kong had to be more like a gorilla. On December 22, 1931, the American Museum of Nature exhibited a specimen of a male gorilla. Cooper told O'Brien that this was what they wanted. So after numerous revisions, the final version of King Kong retains the overall appearance of a gorilla, but adds some anthropological structures, such as walking upright   .
When looking for a candidate to play the heroine, Cooper hoped to use the blonde beauty to contrast with the black fur of the gorilla. Dorothy Jordan, Jane Harlow, and Ginger Rogers had been candidates one after another, and finally But the elected candidate is Fay Wray, who needs to wear a golden fake to act in the film   .
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Extended Reading
  • Eula 2021-12-09 08:01:20

    Barely passing. It looks better than Jackson’s remake. The first half of the story is compact and there is no nonsense, and the performance is good. The director has a kind of boldness. After meeting the natives for the first time, see how he calms the employees and puts his hat on before leaving. Blow a whistle to show ease. The creation of the foggy scene on the sea reminds me of the 32-year-old "Island of the Dead", but unfortunately I don’t know the movies of that era. I don’t know how the special effects of this film have gone through. The stop-motion animation is very proficient, and it is in the hands of King Kong. The switching between the real and the fake, the layered images of the real person, King Kong, and the real person from near to far are all realized by flexible stop-motion animation layer and precise editing point design. The second half is mainly about all kinds of public imagination, such as King Kong vs. Tyrannosaurus Pterodactyl, making a big fuss in New York, and no longer pay attention to character creation, and appear thin. It is ridiculous that many people are looking for sexual metaphors in this variant story of Beauty and the Beast. The heroine’s white clothes have become a symbol of purity. It is obviously mainly for highlighting the visual considerations of the characters. These "Leopards" and "Land of Souls" Alienated characters in similar movies are all conveying the fear of invasion in the real world

  • Shirley 2022-03-26 09:01:05

    In the 1930s, American films always hid fear under the appearance of love. The continuous development of science and technology has made human beings more and more powerful. It seems that they can control everything, people or nature, but no matter how powerful they are, they still don’t know how to face the unknown environment. As a result, this kind of fear seems to be more obvious in the Japanese Godzilla movie. The disasters of earthquakes and tsunamis may destroy the prosperous modern civilization in an instant... The version after the remake should lose this meaning.

King Kong quotes

  • Member of Ship's Crew: Why don't the Old Man heave to till the fog lifts?

    Member of Ship's Crew: Tain't the Old Man; it's that crazy guy Denham.

  • Member of Ship's Crew: [regarding the fog before going ashore] Gee, Charley, I wish you'd make your soup this thick

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