"Kill Bill" is under the control of the director, although flesh and blood, but because of the director's non-commental attitude towards violence and the close to perfect exquisiteness of the lens language, the nightmare violent display is eliminated, and the director's persistent time structure and fragments The narrative appeal brought by the puzzle makes "Kill Bill" unforgettable.
In "Kill Bill", it contains gangsters, killers, blood battles, revenge and other common elements in action movies. Perhaps it should be said that Quentin's unified style is branded, but in the film, all these are in action and form. The perfect way is reflected in the narrative of the film. This movie is the same as Quentin’s previous works.
A large number of fighting scenes designed and directed by Japanese kendoist Chiba Shinichi and Hong Kong Wuzhi Yuan Heping have become the core part of "Kill Bill" to be appreciated. Quentin uses a lot of film techniques to depict the gorgeous and bloody scenes of multiple action scenes, fast editing, changing speed shots, a large number of close-up shots of people, slow motion, black and white and color scene conversion, he seems to want All the technical elements that can be used for shooting action are integrated into a movie, creating unprecedented action and bloody peaks.
