The most touching scene of "Assembly" is the scene where Gu Zidi knows that Mr. Liu did not issue the assembly order, and pounces on Mr. Liu’s tombstone with a bottle of wine. This may be what Xiaogang Feng wants the audience to see. The story, "The hero was wronged". The film does not discuss whether war is meaningful or whether sacrifice is worthwhile. It discusses a simple truth that exists in the hearts of ordinary people: good people should be rewarded, and heroes cannot shed tears after they shed blood. "Assembly" can resonate, to a large extent cater to this psychology of the audience. The subversive nature of "Assembly" is not only reflected in the improvement of its technical means and alternative writing of war, but its greatest contribution to domestic films is how to make good use of commercial elements to make a movie that ordinary people can understand and gain after watching it. Movies-this is what Chinese big movies have been trying hard but failed to achieve in the past
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In the first half of the war scene, you can see the shadows of "TaeGukGi: Brotherhood Of War", " 300 " and " Saving Private Ryan ", but it was quite good that Xiaogang Feng was able to perform such a tragic performance when he first set foot in the "battlefield". The solemn opening theme is over, and what you see is a battlefield full of ruins. There is no cumbersome foreplay and explanation. Xiaogang Feng uses the determination and agility of a man to put the audience in the smoke, guns and blood and blood, and it is straight to the point. Into the hearts of the people. In the next fight between the enemy and us, the scene was more exciting than ever: when the bullet passed through the helmet, headshot, and splashed with blood with a "swish" tail sound and light, it was said to be a realistic war scene on the Chinese big screen. , It is not an exaggeration
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"Assembly" finally allowed Chinese audiences to lift the curtain of heroism and see the true face of war. This is China's first war blockbuster in the true sense of the word. Chinese war films finally got rid of the straightforward heroism, the simple binary opposition of red and white, and went deep into the perspective of ordinary soldiers, focusing on those who were brave and cowardly on the battlefield, and even made mistakes of shooting prisoners due to the death of their comrades in arms. Ordinary soldiers, they are no longer members of the team gymnastics of the blockbuster war
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