This is a film with an original underpinning. Quentin’s respect for the original author makes the plot and dialogue of the film quite satisfactory. It seems that it lacks Quentin’s iconic black humor, fluent dialogue and bloody violence in other works. The scene and the unhurried pace of the film also disappointed Quentin fans who were used to watching "Kill Bill" and "Pulp Fiction." But in terms of shooting techniques, plot deconstruction, and character tags, it is still a full-fledged film.
The whole story is narrated in Quentin-style nagging and calmly, the plot development is still not rushed until the climax. Quentin replayed the climax from different perspectives of different characters, with unique ingenuity, which became the finishing touch of the film. In addition, the development of the story is unexpected, and many of the classic scenes are very tasteful when you savour it carefully .
"Dangerous Relations" does not have the unrestrained enthusiasm of other works, but it brings the most original Quentin taste, exquisite script structure, public personality, and refined dialogue of Ji Feng .
In the film, Quentin also focused on portraying an image of a woman who used to have less ink, but also unexpectedly established an absolute protagonist in the film. However, judging from the audience’s reaction, the blunt and boring story, the procrastinated rhythm, and the repeated use of gimmicks also make "Dangerous Relationship" only be classified as a mediocre and failed work.
