"Island of Dogs" is a work full of apocalyptic and apocalyptic atmosphere with the main background of the story set in Japan and the future. It is in perfect co-production with Wes Anderson's grotesque temperament, allowing him to go even further on the path of maverick creation. Far. You can see Anderson's persistence in self and his tribute to the classics everywhere in the film. The film adopts the same chapter structure and time node narrative method as the director’s predecessor "The Grand Budapest Hotel", presenting the unique freedom and rhythm of Wei style. Those dizzying fast-moving shots, comic opening and closing subtitles, and sudden off-topic plots seem very reasonable under Anderson's lens.
The film is undoubtedly the welfare of the dog party. The protagonists have different personalities, they can be cute, and they can also tell cold jokes, which is very pleasing. In addition to cute dogs, careful composition and scheduling, beautiful soundtracks, and "obsessive-compulsive" aesthetics all make people feast their eyes (ears). Although the plot turn at the end of the movie feels a bit forced and abrupt, the audience will still be moved by the sincere emotions between people and dogs.
