Like the "Spider-Man" series, if the audience watched "Iron Man" and its sequel "Iron Man 2", it would be equivalent to watching the same movie at double the price. The hero still has innocuous flaws, like a mole on the lips of a beauty. Imagine that the enemy is still awe-inspiring, so as to put a posture of a mountain higher than a mountain. Although the big villain has the possibility of resurgence, if you want to become an enemy of the United States, it will definitely not end well. More importantly, the Audi R8 can come in handy. The racing scene in the "Iron Man 2" film blatantly declares that the biggest sponsor in the film is the boss of a certain automobile company. When the audience is very critical of Feng Xiaogang and Xu Jinglei's placement of advertisements in the film, they should think that they are not alone in this world. By the way, there is also a woman named Scarlett Johansson. This freshly baked meat bomb from Hollywood seems to be a little thinner, but it can actually increase the heart rate of some men. Her soy sauce and Chinese Kung Fu are both very good, but what is better is her curved buttocks. Of course, there are some familiar faces, including Mickey Locke, who loves self-harm both in and out of the scene, Samuel Jackson, who wears a pirate blindfold, and of course director Jon Feiru. But in the end, the audience can hardly remember who is who, and there is no need to remember.
Of course, cheap American humor must be interspersed, but it is never responsible for the function of threading. It's like that crappy miniature missile was called "ex-wife" by some idiot. "Iron Man 2" is just like that, fight for a while, then fight for a while and then for a while. Such a movie that can know the end without looking at the head can be completed in the minds of the audience and through imagination. If you must practice your imagination through the big screen, it can only show that the audience is not confident enough in their imagination.
"Iron Man 2" was unsurprisingly lost in the "sequel cycle". The plot is procrastinated, the dialogue is incomprehensible, and after all, I didn't understand why the Eastern European physicist had to be against Iron Man. Anyway, it's good to do it right, there will be a big scene. The action scene only had the insight of the opening "High Voltage Electric Whip Car", cutting a car into mud, and then slicing a Rolls-Royce into pieces. It was too exciting, and the action scenes thereafter were no more enjoyable.
In the "Wen Opera" part, only the opening Iron Man descended from the sky and rushed into the club is not only entertaining, but also a little bit critical and ironic, which is more charming. Iron Man restores the nature of Playboy to play cool, "Super Hero" has completely become the last singer of the nightclub, and the fans around him are also extremely vulgar. Although fanatical, but the gestures are very idiots, they are anti-war and anti-war in this era. The main theme of peace runs counter to, thus forming a kind of "distance" effect. Audiences familiar with the theme of Hollywood heroes know that Superman, Spiderman, and Batman all face a deadly dark spiritual history, and the greatest enemy of the hero is himself. Iron Man seems to face three huge enemies: an incomplete personality due to lack of paternal love, physical damage from nuclear radiation, and evil physicists. But these three enemies are too light and flirty, none of them form a real confrontation with Iron Man. Naturally, it becomes an impossible task for Iron Man to defeat himself. Films just relying on gags are not enough. No matter how many Iron Man can be produced and upgraded, it is better to write an Iron Man. On the whole, "Iron Man 2" is a lot worse than the first one. I hope the third one can take a warning.
