Ip Man 2 Legend of the Grandmaster; Ye Wen 2: Zong shi chuan qi opposing view

The final presentation of "Ip Man 2; Ip Man 2: Legend of the Grandmaster; Ye Wen 2: Zong shi chuan qi" is a bit sigh. It's not that the martial arts will not explode, or the lack of literary drama, but the patterned creative mentality. Kung-fu movies can indeed be filmed with a set of formulas. There is no need to pay attention to whether the characters are two or not. There are countless works that are two in the whole movie. After all, the subject of watching is a wonderful match of skills. But as Sammo Hung said in an interview, the times are advancing. More than 20 years ago, Mr. Zan’s punches would not be as fast as today’s Ye Wen. Today's audience naturally will not easily recognize and empathize with the reasons given by the story. The same punch is the fun of video games, or the heartbreaking reality. The decision point here is still people. The biggest problem of the film is that there is no real story or characters. The two-stage structure is too obvious, so that the warm details and small humor skills that were highly praised in the previous episode cannot be effectively connected in the main line of the story. Except for Sammo Hung's Hong Zhennan who is relatively complete, most of the roles are just targets. Huang Liang, played by Huang Xiaoming, even loses any role in the second half. It can also be said that most of the time, Ip Man himself was also a complete outsider who colonized Hong Kong. In Hong Kong's martial arts world, there is a pair of erratic hands wandering outside the brawny man, the conservative and suffering media industry. At a time when you need to fight. Maintaining the dignity of martial arts and emphasizing the equality of people, these words are not wrong in themselves, and there is no need to actively resist them because of their magnificence. It was indeed irrelevant to those two ring games, so the dilemma of " Bodyguards and Assassins " reappeared. If you play well, you will applaud. If you don't play well, you will only give understanding. Simon Yam or Yam Tat-wah paid tribute to the starting point of Hong Kong movies and his own classic image. Siu-Wong Fan made a public service advertisement that made marriage mature, and Kent Cheng did as usual on the stage of "the police finally arrived at the end". Witness, Luo Mang was finally beaten up on the screen in a serious manner, and a little boy with a greasy head came out to announce the coming of a new era with great detail   .