"In This World" is very close to documentary, blurring the line between documentary and feature film. Many scenes in the film felt like candid shots, which allowed the crew to represent the social realities of Pakistan, Turkey and Iran as honestly as possible. This kind of real texture and the high definition of DV converted into 35mm film make the "real" more compelling, and it also gives the audience a very real sense of presence, feeling the fear of every bit with the two protagonists. , anticipation, despair and helplessness. However, although the standard in all aspects is not bad, there is nothing particularly outstanding. Even if there are a few shocking scenes, the humanistic care is quite a book, but it is still not very commendable, and the quality is acceptable, but not exciting or impressive. While their history of suffering is turned into a movie and shown in luxurious theaters, the refugees who participated in the show are still struggling for the most basic survival. Therefore, no matter how uninnovative such a subject matter is and how lacking in creativity in art, it still has its practical significance.
"In This World" expresses its concern for the poor world to the world with the escape journey of a 16-year-old. The director uses a half-documentary, half-fictional narrative method to present the dream of a poor boy to the eyes of the world. The broad humanistic care has won the audience's heartfelt moving.
"In This World" touches on the thorny issue of a large number of refugees pouring into developed countries, allowing the audience to experience the pain of no homeland and no motherland.
"In This World" is real and vivid, and many details look more like a documentary. The characters in the film come from real life, so they are more touching.
