The French Republic college literature teacher Gilmangave the students a weekly diary, asking them to truthfully record what they saw during the weekend. Among the many boring assignments, Gilman accidentally discovered that 16-year-old Claudewrote a wonderful article. Claude is a quiet observer, accustomed to sitting in the last row of the classroom. His homework is about voyeurism-telling the story of how he sneaked into a friend's house and spied on the other's family. Gilman was deeply attracted by the lines between the lines, and the long-extinguished literary passion was also ignited. Not only did he decide to mentor the talented Crowder alone and encourage him to let go of his creation, he also shared Crowder's composition with his wife Jenna. However, in the process of reading, adults gradually forget the boundary between fiction and reality, and don't even know that their bedroom has already opened.
In the House movie plot
2022-01-16 08:01
Extended Reading
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Michael 2022-03-15 09:01:06
This kind of film best reflects the charm of French films, with metaphysical disputes over literature and morality, and with just the right suspense plot. Of course, such a chaotic relationship can only happen in France. There are also same-sex and Chinese elements that are indispensable for famous director blockbusters. PS: Why do the recent European and American movies have to go to China at the end? !
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Aaliyah 2022-03-19 09:01:07
There are too many angles for interpretation. The voyeuristic psychology of movies or literature, virtual and reality, the relationship between the reader and the author, and to achieve participatory creation. The ending also ends with the picture of "Rear Window", one window, one world, entering a world and entering a new life, like the movies I have watched, and the books I have read. Claude, the teacher, and the audience peeped progressively. Very interesting movie, fun on text.
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Claude Garcia: But I love you.
Esther Artole: No. It's not me you love. It's an image. An image in your head.
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[last lines]
Claude Garcia: To be continued.