In a Lonely Place evaluation action
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Grady 2022-05-11 20:38:06
1. The girl's choice is not wrong. Even if this kind of man gets married, he will definitely experience domestic violence. Sooner or later, it will happen soon. This is an active volcano!
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Sheila 2022-05-11 23:13:52
A film noir that is not quite like noir, on the one hand presents suspicion and distrust in love relationships, on the other hand portrays an impulsive, sometimes violent and sometimes gentle man (most of Nicholas Ray's works focus on men. loneliness and trauma). The murder only happens in the background, and we are just as unaware of it as the protagonist. With the development of the plot, the originally seemingly happy and happy love gradually broke down, violence and unease grabbed the viewer, and the perspective shifted from the male protagonist to the female protagonist. Although there is no visual stylization, and there is no broken nonlinear narrative in the play, the rhythm is well controlled and the tension is gradually increasing. The two phone calls at the critical moment first boosted the character's fate, and then gave hope for a reversal. Audience expectations. Bogart's attentive look, rapid words, and the light that illuminates his eyes in the surrounding darkness when he restores the murder simulation, makes the heart beat sharply. The iron gates, fences and panes of the interior accentuate the sense of captivity and isolation. | When she kissed me, I was reborn; when she left me, I died again; the weeks when she loved me was like a new life. | A good love scene should be about something other than love. (8.5/10)
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Dixon Steele: You know, when you first walked into the police station, I said to myself, "There she is - the one that's different. She's not coy or cute or corny. She's a good guy - I'm glad she's on my side. She speaks her mind and she knows what she wants."
Laurel Gray: Thank you, sir. But let me add: I also know what I don't want - and I don't want to be rushed.
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Dixon Steele: A man wants to apologize to you...