Hana to Arisu Theme Material Theme
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Milton 2022-03-23 09:03:18
1. Shunji Iwai is not just shooting "little fresh", not just using highlights, hand-held, filters, oblique composition, slow motion and beautiful piano music (although this form combination is indeed artistic), the film's The narrative is very loose. If the love triangle is used as the main line, the rest of the story will appear fragmented and irrelevant, but it is this seemingly off-topic loose collage narrative that really conveys the free and easy, wanton and active spirit of youth. grid. 2. A series of life-like details and personalized expressions and movements are charming and lovely; the backstage confession is cross-cut with the clumsy antics on the stage, and the alienation effect replaces the excessive sensationalism. 3. The doppelganger motif revealed in the film is based on [Love Letter], and at the same time is an interesting experiment about memory and memory modification. 4. The red seats on the empty train (overexposure, the same as [Lily Zhou]), playing cards flying on the beach, Astro Boy balloons outside the window, multi-angle shots of ballet, giraffes falling on the stage. 5. Walking and reading a book and getting dizzy, dancing in the rain, imagining soap bubbles in your hands, saying I love you & goodbye in Chinese, the beauty of giving a pen. (9.0/10)
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Angela 2022-03-22 09:02:52
Clumsy and beautiful people, clumsy and beautiful movies.
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Setsuko "Alice" Arisugawa: I saw 'Hannibal' on satellite last night.
Hana: So did I.
Setsuko "Alice" Arisugawa: I was scared.
Hana: Isn't he creepy?
Setsuko "Alice" Arisugawa: Yeah. Don't you think real people are scarier... than zombies and ghosts?