"Grace of Monaco" has a gorgeous and profound content both inside and outside. Not only did the Princess Dior dress reproduce the European royal style of the 60s, Cartier jewelry also reproduced Grace’s favorite brooches and necklaces. All kinds of precise and exquisite details outline a noble and majestic princess. Against the magnificent external background, the core of the film revolves around a woman who uses her own wisdom to make a final decision in multiple difficulties and crises.
"Grace of Monaco" bravely set aside the current "face control" trend, and gave contemporary women an example with positive energy: Be yourself with your heart, and let this "face-seeing world" understand your true self. The film uses Grace Kelly to say that the 1956 Oscar queen, although she is superb, she is very beautiful, but she chose to help her husband and set a "big banquet" for French President Charles de Gaulle, not just by appearance and appearance. To solve the problem, but rely on your own wisdom to plan the strategy. Grace, who has a dilemma between career, marriage, and family, is the epitome of contemporary women and has established a good model for contemporary women.
The effect achieved by the film miraculously echoes the temperament of Nicole Mary Kidman. Nicole's "cold" is a little stiff, and a pair of "anti-eight-character" raised eyebrows makes the eyebrows feel hard. In the close-up of the face from section to section, the loneliness of a woman, and the rain in the cold river fully show the eyebrows. Hollywood has always liked to use her to interpret the kind of women who are depressed, dull, and eventually burst or die.
