Costume designer Claire Andersonmade a styling design for the play. Angels and demons in the play need to span all the timelines of more than 40 periods including the crucifixion and World War II, and her depiction of the power of good and evil goes beyond In order to use only black and white color palette, God and the devil can be reflected in the details. The exquisite vest by Michael Christopher Sheen is suitable for both Victorian England and modern London. The designer draws on the paintings of the pre-Raphaelites with a very strong religious era, and the gold thread on the bow tie or the light blue shirt Add tranquility and warmth to the character. For Crowley's demon look, Anderson cited rock style. She designed a textured jacket with a large lapel, painted snakeskin shoes black, and painted red around the soles to imitate the red stripes of snakes in the Garden of Eden.
In order to create flexible wings for the owners of heaven, the designers designed the wings with a wire thinner than a straw, and added a ping-pong ball on top. Anderson stated that they move like cloth when attached to the character. In order to make the role of Joe Hamm Archangel Gabriel cashmere-like softness, the designers went to Bond Street Italian brand Ermenegildo Zegna, tailor-made for him a set of mauve pearl gray The suit, coupled with lavender contact lenses, made the violet in his coat and eyes more prominent
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