"Good Night, And Good Luck" is obviously a proper film shot at the proper time ()
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Courage, justice, and conscience are not the focus of "Good Night, And Good Luck". George Clooney brought the lens closer to the role played by the individual in the political storm. The intricate relationships and very different psychological states between people are no less inferior than the suspense movie. The film has been cut to the point of simplicity, aiming directly at the characters at the center of the whirlpool of events. The psychology of McCarthy and the news anchor who insists on shouting for conscience and justice is true. The shots of the documentary and the film itself appear interspersed with a strong sense of reality. The film is a true gaze of human nature, and it also contains reflections on freedom of press and speech and television culture. The protagonist David Strathairn is not acting as a news anchor. No matter the way he speaks, his eyes, his small movements, and his persistence, he has already become that person. The setting of supporting roles in the movie is also quite original
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Clooney in "Good Night, And Good Luck" through the internal operation of Columbia TV, delicately reproduced the scene of the New York press in the 1950s, but he is still overly obsessed with visual style. The look and feel of the film is fascinating, but one cannot help being attracted by the iconography and paragraph theory contained in it
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"Good Night, And Good Luck" used some impromptu performances in the news studio to create a real sense of chaos and fanaticism, giving the whole film a rough documentary feel
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"Good Night, And Good Luck" is a political film with no balance between good and evil. The film is full of indoor scenes that shuttle between the live room and the office. All physical movements are simplified to two things: smoking and talking about current affairs. This is a rare good film with the significance of professional exchange and guidance
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George Clooney discarded all commercial elements in "Good Night and Good Luck" and told the audience the truth of the whole incident with a flat lens. He narrated the ins and outs of the whole incident in a fast-paced way, and created the image of a wonderful group of justice news fighters. George Clooney also added some doubts to the outcome of the victory The overall quality of the film is also considered to be excellent. Under the lens of Clooney, the tension of the film is fully reflected, and the plot setting is exciting
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In the overall structure, "Good Night, And Good Luck" uses a flashback technique. There is no location in the whole film. The director has put a lot of effort into details and character modeling, and meticulously captured the charm of the United States in the 1950s, and concocted a nostalgic image in a documentary way
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"Good Night, And Good Luck" is a witty and cunning movie. George Clooney, who became the director for the second time, directly attacked the responsibilities of media people in modern society on the theme, and was ambitious; he played down the conflict in the narrative, restrained and calm; on the screen, he was full of the charm of black and white images, winning the audience from the subconscious. Recognition of the role. The strong contrast between content and form made this film.
