The film "Gone" is obviously not the primary purpose of storytelling, the film is more like a personal show of the goddess Amanda. Amanda's show seemed too hot, and was once suspected of being schizophrenic by the police. In the second half, she counterattacked in horror, and instantly transformed into a brutal, single-handed heroine fighter who single-handedly fought criminals, and even the criminals knelt down to beg her for mercy. The span between the two plots of the film is too large, and it has far exceeded the audience's acceptance. However, the most powerless scene in the film appeared here. Not only did the police not help Amanda rescue her sister, but instead mobilized a large number of police to track Amanda, which was enough to surprise the audience. This is not only a problem with the logic of the film, but also a problem with the creative attitude. Even if you want to use this film to praise Amanda, you should also consider the drama that cannot be ignored. The villain in the film also appears to be stretched out and has no characteristics at all, resulting in no dramatic climax in the whole film. ()
"Gone" is a thriller without a sense of tension; as soon as the ending subtitles appear, they will evaporate from the audience's memory. ()
The audience can expect all the plot turns in "Gone"; the film is struggling like a fish on land, which can save you money. ()
The audience lost interest in the fate of the characters in the film and didn't care anymore. ()
