Gone Baby Gone Screenwriting

2021-10-20 17:21
After reading the novel "The Missing Baby", Ben Affleck liked the story told in the novel so much, so he asked his friendhelp him write the script for the film. The script took more than two years, and Ben Affleck and Aaron Stockard met whenever they had time, almost three or four times a year. For the story content of the hundreds of pages of Dennis Lehan’s novel, we structured it and condensed it into an image of about 2 hours.
When Affleck and Stockard adapted, they deliberately retained the morally ambiguous world created by Dennis Lehan, instead of just blindly just Create conflicts between several main and pure roles. When Ben Affleck handed the completed script to the film’s production partner Sean Bailey, Bailey was infected by the power contained in the script and said: The story in the script has It is very narrative and has tortuous clues, but the most important thing is that it has deep emotions. When reading, you can really feel the infection of the script. 
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Extended Reading
  • Garfield 2022-04-24 07:01:03

    I really want to kill the male protagonist, but without a firm moral judgment of his own, he came out as a detective to fight crimes. The reason for this is that he is still imprisoned by the religious and legal concept of right and wrong. Then you still kill people. If you kill you, don't Tangled ah. Wanting justice without getting your hands dirty is the most selfish hypocrisy. But it is precisely because of the ending that it is impressive... The child is the last line... The rest of the time is completely ignored...

  • Micheal 2022-03-23 09:01:20

    The dilemma of good deeds. Originally directed the tube, it’s already pretty good to be able to shoot like this~

Gone Baby Gone quotes

  • Big Dave: Listen, I ain't saying a fucking word. I already talked to the fucking cops.

    Patrick Kenzie: All right. Dave, right?

    Big Dave: Big Dave.

    Patrick Kenzie: Big Dave. All right. I'm Medium Patrick. Nice to meet you.

    Big Dave: You're a little fucking light in the ass to be talking shit, ain't ya?

  • Steve Penteroudakis: [while at a bar] Yeah, listen, I been fucking everywhere putting up posters, man, you know? Every project hallway, all over City Point, everywhere, you know? I mean, it's a real tragedy. She used to come in here, sit up at the bar and shit. You know, she was like our mascot.

    Angie Gennaro: Helene brought Amanda in here?

    Steve Penteroudakis: No, mostly in the afternoons. I mean, it's not place for a child at night.

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