Gone Baby Gone North America Evaluation

2021-10-20 17:21
The film effectively combines the painful moral choices in the novel into the living environment of Boston. I believe anyone who has watched the film will praise Ben Affleck’s director’s talents.
From a structural point of view, the film is a bit obscure, but for the Affleck brothers, it was a veritable success.
A film that is too dark and melancholic, but when dealing with sharp problems, the technique still appears a bit rough.
Ben Affleck, who was once called the "box office poison", finally found out that what he was best at was not acting, but director.
Ben Affleck’s description of the environment in Boston’s downtown area is true enough without any exaggeration or exaggeration; although the detective’s final decision is very controversial, the vague morality is the strongest message of the film, but it will let the audience after watching it. Stuck in the story for a long time can not be forgotten.
Ben Affleck designed a desperate, legally invalid, and inhumane living environment in the movie. Even the child's mother lacks love and is addicted to drugs. These details are designed to pave the way for the ending.
I haven't seen any film that uses such silly and ridiculous dialogue.
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Extended Reading

Gone Baby Gone quotes

  • Patrick Kenzie: I'm calling state police in five minutes. They'll be here in ten.

    Capt. Jack Doyle: Thought you would've done that by now. You know why you haven't? Because you think this might be an irreparable mistake. Because deep inside you, you know it doesn't matter what the rules say. When the lights go out, and you ask yourself "is she better off here or better off there", you know the answer. And you always will. You... you could do a right thing here. A good thing. Men live their whole lives without getting this chance. You walk away from it, you may not regret it when you get home. You may not regret it for a year, but when you get to where I am, I promise you, you will. I'll be dead, you'll be old. But she... she'll be dragging around a couple of tattered, damaged children of her own, and you'll be the one who has to tell them you're sorry.

    Patrick Kenzie: You know what? Maybe that'll happen. And if it does, I'll tell them I'm sorry and I'll live with it. But what's never gonna happen and what I'm not gonna do is have to apologize to a grown woman who comes to me and says: "I was kidnapped when I was a little girl, and my aunt hired you to find me. And you did, you found me with some strange family. But you broke your promise and you left me there. Why? Why didn't you bring me home? Because all the snacks and the outfits and the family trips don't matter. They stole me. It wasn't my family and you knew about it and you knew better and you did nothing". And maybe that grown woman will forgive me, but I'll never forgive myself.

    Capt. Jack Doyle: I did what I did for the sake of the child. All right. For me, too. But now, I'm asking you for the sake of the child. I'm begging you. You think about it.

  • Lionel McCready: Helene's got emotional problems.

    Beatrice McCready: It's not that, Lionel.

    Lionel McCready: What is it, then?

    Beatrice McCready: She's a cunt!

    Lionel McCready: Beatrice, don't use that word.

    Beatrice McCready: God help me, it's true.

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