Four Rooms background creation

2021-12-10 08:01
The film is composed of four short films. The first two are slightly mysterious and erotic stories. Although they can briefly attract the attention of the audience, they will be completely forgotten in the blink of an eye. The mysterious urban witches were undressed like dancing girls. While speaking boring and philosophical language, they did not forget to use some powerful Tarantino-style lines. Rodriguez ’s story is as fancy and ingenious as his later works, but it is also empty, but it can also be said to be a transition to the last outstanding part of the film. To call it "excellent" is nothing more than a comparison with the previous boring one. Tarantino at least steadily demonstrated his talent and status among these independent filmmakers.
In the last paragraph, Tarantino not only plays "I", a filmmaker who has just become famous in Hollywood, a "Hollywood ruffian" who is unwilling to be lonely at any time, and a "star animal" who likes adventure and excitement, but also Also invited the big star Walter Bruce Willis to help out, which is even better than the previous cameo Madonna Louise Ciccone . This is indeed a review of a collection of emerging American independent filmmakers. Although it is only a combination of short films, it can basically be seen clearly by all audiences. Although Tarantino has the suspicion of being talented, he is still one of the people in this group after all."And Rodriguez is barely able to be one side, and the other two are really a bit of a silly taste. From the material to the processing, this film is full of American independent production feelings: exaggerated and slightly magical. , Seemingly philosophical, decadent stimulus, line market. 
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Extended Reading
  • Tate 2022-04-23 07:02:09

    【Hollywood】is the oldest English transliteration I have heard after 【Michael Jackson】. = =

  • Kirsten 2022-04-24 07:01:07

    I liked the third story the most and suddenly discovered that my brother-in-law and Quentin looked alike. . .

Four Rooms quotes

  • [Leo is timing Chester for the 60 seconds he has to explain to Ted about the whole situation]

    Leo: Begin.

    Chester: Okay, Ted, pay attention here. I'm going to make two piles on the bar. One pile which is yours. And another pile which *could* be yours. And what you have to realize is we're gonna do this thing one way... or the other. Whether it's *you* who holds the axe or a Mexican maid or some bum we yank off the street.

    Norman: [about the money on the bar] You could buy a whole lot of soup with that pile.

    Chester: Shh! I'm the closer here. All right, I'm a little me - um, I've lost count. How much is on the bar here?

    Group: Six hundred.

    Chester: Okay, Ted, do you know how long it takes the average American to count to 600?

    Ted the Bellhop: [Thinks for a bit]

    Angela: It's a rhetorical question, Ted.

    Ted the Bellhop: No, sir.

    Chester: About one minute less than it takes to count to 700. Now Ted, a person's life is filled with a zillion little experiences. Some which are insignificant, have no meaning, and, you know, you forget them. Others which you remember for the rest of your natural life. Now, since what we're proposing here is so unusual, so outside the norm, this is a good bet that is going to be one of those incidents that sticks. So, since you're gonna be stuck remembering this for the rest of your life, you have to decide what that memory will be. So, Ted, are you going to remember for the next 40 years, give or take a decade, that you *refused* a $1000 for one second's worth of work? Or that you *made* $1000 for one second's worth of work?

    Leo: Time!

    Chester: So, Ted, what's it gonna be?

    Ted the Bellhop: Okay.

  • Angela: Everybody starts out as strangers, Ted. It's where we end up that counts.

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