From the first Kung Fu giant "Big Brother Tangshan", Bruce Lee's Hong Kong-produced action films have been permeated with high national spirit. This is even more visible in "Fist of Fury", kicking "Chinese and Dogs". The insulting sign of "no entry" is what inspires a nation’s fighting spirit, and Bruce Lee’s significance beyond the times lies in this. He is an out-and-out patriot who is willing to do his best on the screen. Write a chapter of China's striving for strength. After showing the unique skill of "Li Sanjiao" in "Big Brother Tangshan", Bruce Lee kicked out "Li Bajiao" (kicking down eight people in a row) in this film, and then he also played with nunchakus. Action movies are even more attractive
"Fist of Fury" is a masterpiece of Bruce Lee's collection of styles. In the film, Chen Zhenplayedkicked the wooden sign "Chinese and dogs are not allowed" on the gate of the concession park with a flying foot, and marked "East Asia". The plot of "The Sick Man" is shredded and stuffed into the mouth of a Japanese samurai
The film breaks through the narrow themes of revenge in previous Kung Fu films, elevates the film to national justice, and arouses widespread resonance with its strong patriotism and national spirit. In the fight, Bruce Lee first demonstrated his amazing nunchaku skills on the screen, short and powerful, and extremely powerful. The plot twists and turns, the martial arts action design is superb, the fighting scene is fierce and fierce, especially at the end of the film, Chen Zhen takes a volley, and the picture suddenly stops, becoming a classic picture in Kung Fu movies, shocking the audience
Before "Fist of Fury", most Hong Kong kung fu movies used fist and embroidered legs as real materials. On the other hand, Bruce Lee can not only play real kung fu, but the martial arts scenes often feel strong, rhythmic, and clean, with lightning strikes, and broken arms with residual limbs. There are essential differences between the violent killings with broken stomachs; at the same time, Bruce Lee’s screen roles are mostly responsible for national responsibilities, such as "Fist of Fury" fighting the Japanese devils alone, and "Raptor Crossing the River" defeating the Western boxing champion, so they are often portrayed. The righteousness is awe-inspiring and invincible. Compared with the personal hatred, master-disciple hatred, and brother hatred emphasized by Zhang Che and others, it is undoubtedly more meaningful
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