Although "Fanny och Alexander" has thoughts, beliefs and break free, it is not decisive and fierce enough. The second half of the film is the peace, warmth and warmth that are rarely seen in Bergman's movies. In the film "Fanny och Alexander", there are many female characters. Whether it is the theater where the film first appeared or the entire Ikoda family, women are an important group in the film. However, whether it is a deformed personality or a self-willing woman, the director portrays the characters from an objective and fair perspective. In the scene of Oscar's death, the director Yimu gave a three-pointed depiction of humanity and sophistication, and the cheers of Oscar's colleagues in front of his body were both realistic and satirical
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In "Fanny och Alexander", the closedness runs through the whole film. In the film, self-contained small worlds exist everywhere, and what these large and small worlds convey is a sense of self, exclusivity, and dimness that is difficult to communicate. Director Ernst Ingmar Bergman also expressed the definition and summary of life in the film. Although Bergman uses warm red-orange tones to show the lives of Ikeda and Isaac, and dark gray to express the bishop's family, the content contained in the simple tones is not from the perspective of children. Emotional judgments are based on the choices, decisions and resistance made by Bergman from an adult perspective
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