The film is like a group of people got together and made a petty bourgeoisie movie. There are no major ups and downs in the plot, and the performance is not particularly strong and impactful. There is nothing special about the film technique. Woody Allen's mouth that can tell the dead is just right for the pimp, and he is also quite involved in the film. Although the main line is the pimp business, none of the leading actors have any exposure, and the movie does not intend to use nudity and bed scenes to provoke the audience. This movie is not about eroticism, but about emotions
.
Filled with bizarre narrative twists and modest banter, the film isn't erotic, despite the presence of pretty women. John Turturro brings sensitivity and wit to this satirical comedy that could go awry. With simple directing, generous character rendering, and upbeat jazz, it's easy to think of it as a Woody Allen movie. This undoubtedly benefited from the addition of Woody Allen, but only Turturro would bring such a warm and kind story to the screen. Like a gust of fresh wind, it is both pleasant and unapologetic indecent. From the story to the acting, from the lighting to the makeup, the film feels like the work of a skilled director in every way. It's sexy, fun, and sometimes moving. The tone of the film is difficult for even some established creators to balance, and Turturro manages to do it. He made the film as entertaining as a Woody Allen classic while maintaining its own personality
.
