In the process of adapting the novel, the photos in the novel gave Eric Roth a lot of guidance. Eric Roth said: "Fall's novels are very good and very sentimental. He used the way of traveling novels to depict a boy's exploration, questioning and discovery of the world around him. This is a very traditional writing method, and the screenwriter is most afraid of it. A kind of text, because the story lacks contradictions and conflicts, only relies on emotions to promote the development of the plot and the character of the characters. If it is not well written, it becomes a superficial story. Fortunately, Fortunately, Fore wrote a novel in the novel. Unknown keys can be used to embellish the entire journey of Oscar’s discovery. In a sense, this story is somewhat similar to "Forrest Gump". However, the story of this movie is more prosaic. Some, and it will be more difficult to express the world through the eyes of children. The most important thing is that in this story, the joke is the content we should try our best to avoid, and some emotional climaxes should be arranged in the film. In short, writing this script is a difficult challenge for me."
Extremely Loud & Incredibly Close Creative Background
2021-12-14 08:01
Extended Reading
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Delmer 2022-03-30 09:01:04
The little boy has the same talking eyes as Elijah Wood, but 911 really didn't touch it...
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Willa 2021-12-14 08:01:15
It is too difficult to use an unpleasant protagonist as an entry point to heal wounds. The touching fragments are one after another, but it is counterproductive to be combined so urgently and gorgeously and too perfectly. The film's failure lies in the tone: the lack of simplicity in the face of the Great Compassion.
Extremely Loud & Incredibly Close quotes
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Thomas Schell: If things were easy to find, they wouldn't be worth finding.
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Oskar Schell: Succotash my Balzac, dipshiitake!