The three directors all regarded the film as a summary. Although the time is short, it is not a skit, and the actors are also strictly required, including sexual treatment. The film is positioned as a restricted film all over the world, and the most important film is impossible. Edit the passion part, if you delete it forcibly, the film will not be filmed. Especially Wong Kar-wai abandoned the barriers in his mind, Zhang zhen and Gong Li also made considerable contributions, but compared with the European openness, there is still a considerable gap, which is more in line with the Chinese tradition. Conceptually related.
Eros evaluation action
2022-01-21 08:03
Under the theme requested by the producers, the three film masters produced three short films with different styles according to their respective understandings. Together they are "Eros". There is no doubt that these three short films are full of sex, eroticism and desire, and the figure of Elos always appears in confusion. Although the three thinking directors all have a date with the Austrian Freud, the vision of love and the freedom of dreams are engraved in their hearts. They are dazed, forgotten, and deeply rooted in the most secret of their hearts. Wherever possible, active veiling shows that worldly life is always difficult to satisfy one's expectations. The idea of the movie is like two people swimming in the water, floating, buffering, hugging, and separating. In the continuously swaying water, he and she may have felt Ilos.
The three directors all regarded the film as a summary. Although the time is short, it is not a skit, and the actors are also strictly required, including sexual treatment. The film is positioned as a restricted film all over the world, and the most important film is impossible. Edit the passion part, if you delete it forcibly, the film will not be filmed. Especially Wong Kar-wai abandoned the barriers in his mind, Zhang zhen and Gong Li also made considerable contributions, but compared with the European openness, there is still a considerable gap, which is more in line with the Chinese tradition. Conceptually related.
The three directors all regarded the film as a summary. Although the time is short, it is not a skit, and the actors are also strictly required, including sexual treatment. The film is positioned as a restricted film all over the world, and the most important film is impossible. Edit the passion part, if you delete it forcibly, the film will not be filmed. Especially Wong Kar-wai abandoned the barriers in his mind, Zhang zhen and Gong Li also made considerable contributions, but compared with the European openness, there is still a considerable gap, which is more in line with the Chinese tradition. Conceptually related.
In "Dangerous Tendency", the director materializes Eros, but love and sexual ability and inability seem to be powerless. She and she wandered naked in the blue air by the sea, staring at each other. But he always feels incomplete, how love is achieved, just like people in the movie are playing tennis without a ball, but the impact is vivid in our ears, reminding us that whether it is a dream or reality, we need passion to maintain. Castles, lakes, beds; walking, quarreling, making love; dazed, sleepy, excited-the sea, or the waves, chance encounters, or companionship, it lies in the understanding of the heart.
Soderbergh, who always likes to nag and play with the audience, tells a strange story in "Balance." The audience saw the character’s psychology, subconsciousness, fantasy, and real life. His resistance and pursuit of life. The continuous dreams resemble Zhuang Zhou’s Mengdie. Arrange, but forget about it when you return to the awake state. In addition, the paper airplane issued by the psychiatrist is also very meaningful, and his vision is destined not to be the same as anyone. As a psychologist, he is very busy when talking to patients, but he can still give conclusions and suggestions.
In "Hands", Wong Kar-wai integrated his views on the primary colors in the 1960s movies, breaking his previous quietness through the dialectical relationship between hands and thighs, and putting naked desires into his simplicity in one fell swoop Of the 1960s. Time passed suddenly, the confidante was long gone, and the hands were still the same. Wong Kar-wai explained Elos with tactile touch. Like the other two directors, his materials were also "abnormal". For the love of sinking, the little tailor gave a different temperament from Yu Dafu's "Sinking", and Wong Kar-wai made progress
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