The film is a youth film. Its great feature is that the director and heroine interpret the growing pains of half-aged children in a minute. There is no "cruel youth" here, nor does it focus on showing school bullying. Audiences of any age will be reminded of the feelings they experienced when they were growing up.
The film director avoided the clichéd plots of genre movies, and explored the embarrassment and anxiety faced by young girls in their growth with a delicate style
. The film tries to show the audience kindness and purity as much as possible. It tries to tell everyone that "The Coolest Girl in the World" is just a stage in life, and it will eventually pass.
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In the film, the non-stop activities of different characters with unclear personality characteristics are dazzling, and daily life exposes empirical complex and complex real faces. The film does not have any highlight moments of the protagonist, but it has a counterattack that is closer to reality. The moments when the protagonist mustered up his courage after hesitating, are more dazzling, more moving, and more like people growing up in adolescence than the highlight moments of becoming a campus celebrity. The film accurately magnifies the embarrassment of adolescence and the tension and lack of self-confidence caused by social pressure. What the director wants to express is not sympathy and understanding, nor sadness and anger. More importantly, he completed a spiritual dialogue in the film. A disintegration and release of young people’s infinitely magnified search for their vanity value in the multimedia age
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