Campbell's first-class production team has unsurprisingly added a lot to the film, but the director's decision to reproduce the original TV series didn't feel strong enough in the end
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A fascinating and thoughtful film that strikes a balance between the description of bullets and the natural introspection and contemplation of the family
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A long and complicated story, although it has its brilliance, the plot is too artificial
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The script of "Eage of Darknesars" written by William Monaghan mixes and mixes the two major commercial hitting elements of police, criminals and politics. Mel Gibson, who has already passed the best age for interpreting heroes, is either close-up of his figure or quickness of action in the film. Degree, and there is no obvious sign of degradation. This may be attributed to Martin Campbell's careful handling of the details of the action scenes, which are cool, strong, and very instantaneous. Such as Emma's brutal shooting at close range, Thomas Craven's empty hand into the white edge and other bridges, highlighting the director's Demeanor. However, it is a pity that somehow, the three signboards of Mel Gibson, William Monahan, and Martin Campbell did not move Warner's senior management, and then made a lot of money for "Eage of Darknesars". In the end, the film with a not very creative script fell into the embarrassment of few action scenes. Even in the shooting scene at the end of the film, Martin Campbell did his best to cover up the shortcomings of insufficient funding. The comeback of Mel Gibson, a generation of "action king", can only be said to be a passing grade
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