Duck, You Sucker! evaluation action

2022-01-29 08:06
The whole film takes a satirical line-although Ann Hu became a revolutionary hero, he was not at first because of the revolution, but because of money. This time, he successfully rescued his colleagues from the enemy because he replaced the revolution with money. What you get is the respect and praise of the masses and revolutionaries. This cannot but shows that this is a moral issue at work. This is also one of the issues discussed in the film, that is, the issue of the moral code of the revolution. Sean was the one who guided Ann Hu to the Holy Land. He just thought that Ann Hu should be able to successfully rescue these colleagues, so he made full use of it. Immediately afterwards, the two were involved in the Mexican revolution. In the revolutionary struggle, the love-hate relationship between the two changed from tit-for-tat to comrades-in-arms fighting for a common ideal.
The character Sean is a very bright character in the movie. On the surface, he always seems to be smiling. In fact, his inner world is very complicated. He has lost friends and lovers. He knows the importance of love, friendship and family affection. , which is the purpose of his participation in the revolution. Later, because a very good friend became a traitor, his revolutionary enthusiasm was not as strong as before. In a large-scale battle, Sean was shot and killed; Ann Hu, the character, became more and more mature in the development of the plot, and his silence , The sluggish expression is often asking yourself why you want a revolution? What will the future be like? When Ann Hu was the leader of the bandits, the environment he was in was an anarchic place, with no one to govern, a world without rules and legal sanctions, he could do anything wrong, but now he has to use a violent revolution to overthrow the government and seize it. Regime, which is also one of the other issues the film explores.
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Extended Reading
  • Winona 2022-03-24 09:03:36

    Great, getting better and better, ending abruptly in John's memory. The theme of "revolution" was a comedy from the very beginning. The first half of the film was full of gag, and it was very hilarious. What does a bandit who goes into battle with the whole family and a bomb expert with a mysterious origin have anything to do with the revolution? It was not until Hu An's family died in that cave that the audience began to face the topic of "revolution". The director's attitude towards revolution is undoubtedly full of idealism and reservations. History has proven that leaders who come and go are just one dictatorship after another. Would it be better for a bandit like Juan to become a general? Revolution is nothing but killing each other and taking turns. But the director repeatedly mentioned the distant and not-so-distant America through the mouths of the two male protagonists. It seems to be a beacon for all revolutionaries, and the revolution must be done in that way! This is the silver lining of the revolution. The whole of South America is in revolution, what is it like now? How much did it cost? What's the future? The director pointed out the direction painstakingly.

  • Elinore 2022-03-16 09:01:08

    This is no longer just a Western, but a stylized comedy, a far-reaching fable, and a majestic epic. In my personal opinion, its level is higher than that of the famous Red Dead trilogy, and it is not even below "Once Upon a Time in America".

Duck, You Sucker! quotes

  • Juan Miranda: Listen, Günther Ruiz is after us, and now Villa wants to talk to me, I think we should get outta here.

    Sean Mallory: [puffing on cigar] Well, Jesus, Juan-o, you can't leave now, you're a great, grand, glorious hero of the revolution.

    Juan Miranda: Uh, can I tell you something?

    Sean Mallory: What?

    Juan Miranda: [whispering] Fuck you.

  • Juan Miranda: What's that?

    John H. Mallory: It's a map.

    [Juan lies down on top of it]

    John H. Mallory: It's your country you're lyin' all over, there!

    Juan Miranda: [drowsily] Hm-hm. Not my country. My country's... me and my family.

    John H. Mallory: Well, your country's also Huerta, the governor, the landlords... Günther Ruiz and his locusts... this little revolution we're having here.

    Juan Miranda: [alert] A revolution? "Little revolution"? Please, don't try to tell me about revolution! I know all about the revolutions and how they start! The people that read the books, they go to the people that don't read the books, and say "Ho-ho! The time has come to have a change, eh?"

    John H. Mallory: Shhhh...

    Juan Miranda: [mimicking John] Sh, sh, sh, sh, sh, SHIT, SHUSH! I know what I am talking about when I am talking about revolutions! The people who read the books go to the people who can't read the books, the poor people, and say, "We have to have a change." So, the poor people make the change, ah? And then, the people who read the books, they all sit around the big polished tables, and they talk and talk and talk and eat and eat and eat, eh? But what has happened to the poor people? THEY ARE DEAD! That's your revolution! Sh... so, please... don't tell me about revolutions. And what happens afterwards? The same fucking thing starts all over again!

    John H. Mallory: [exhales] Whew. Hmmm.

    [throws a book he was reading into the mud: Mikhael A. Bakunin, The Patriotism]

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