The cult of the 1980s film noir in the film is unstoppable, and Nicholas Winding Refn and his cast team brought a good show.
This noir film that takes place at the moment will surely meet the needs of many audiences for genre films. The film looks really cool, and the story and performance are also very good.
The cast of the film is not only gratifying but also surprising, all the actors performed very well, especially the speed thief played by Ryan Gosling, who is full of flesh and blood, sentimental and righteous.
The film is much more real than those boring action crime movies. It has abundant skills in script, performance and technique, and is the best respect for movie fans.
The film is proficient in form and technique, deeply influenced by classic noir films; the atmosphere is somber, the performance is exquisite, and the story is tense and wonderful.
The whole movie is very interesting, in a nutshell: "Desperate Driving" with modern film noir style and violent action scenes should satisfy audiences who seek this type.
"Desperate Driving" is gloomy, old-fashioned, and sincere; it is a pity that the film has become a prisoner of its own emptiness, replacing feelings with emotions and borrowed bold and violent styles.
The film is another excellent interpretation of the old Hollywood film noir principles: that is, the life of the film is not only expressed through the heroic images, but also obtained through the depiction of the hero's shadow.
Before those shocking violent scenes broke out in an instant, "Desperate Driving" created an extraordinary sense of tension-just like that kind of samurai movie.
This is a film that is deeply influenced by both traditional noir films and contemporary violent styles, but this combination is far from ideal.
"Desperate Driving" is immersed in a carnival of details about feelings: this is a super cool American independent film with a European-style film noir style with a clear outline of visual and audio.
