This film is the last film directed by Philip Riore. It was the leader in the 2007 Caesars Awards and received three nominations for Best Film, Best Director, and Best Film Dialogue in one fell swoop. Stars gather in the film, star Garde Meha (famous French comedian) and Melanie Lauren co-starred in a pair of closely related and complex emotional father and daughter. The former won the Caesar Award for Best Supporting Actor for his father's role, and the latter won the Best Newcomer Award for his daughter's role. Throughout the film, the performances of the two are remarkable and complement each other. This not only improves the credibility of the film, but also highlights the realism of the film.
What the film happens to show is a modern tragedy. Unlike the martyrdom of public figures in classical tragedies, modern tragedies emphasize a direct experience and personal feelings, which have nothing to do with ideology.
The conflict between the daughter and the father, as well as the hatred towards the father, appeared to have different views on the causes of the family tragedy, but in fact, the father and daughter had the same views on this point-Lily believed that her brother was "missing". It was caused by the father, and the father secretly blamed himself in this way. The real reason for the conflict between the two generations is that the bond between them has broken. The film fully expresses the lack of communication between father and daughter, and also hints at the break of the communication bridge between father and son.
The different concepts and different lifestyles between the two generations have caused opposition and conflict between each other, which is a phenomenon that exists in the world. This film highlights the different coping styles of the two generations facing the same family crisis, and they stand on the side of their parents with a gesture of appreciation. We have no way of guessing what will happen to Lily in the end, but at least she can learn what her father did: endure family tragedies with dignity.
At the end of the tragedy, order will return again. In the movie, Lily finally returns to the family (going out from the family to find her younger brother has the meaning of deviating from the family). However, "order is not so much displayed here, as it is created again"; because "order is the result of action, even at an abstract level, it completely corresponds to the pre-existing traditional beliefs." ① "Don' "t Worry, I'm Fine" looks on the surface, young people first turned away from the traditional family, and finally returned to the family tradition, because they reached a consensus: family tragedies are caused by the departure from the family. In fact, the two generations have never deviated from the family-the daughters who run away from the family just think that the father's behavior has hurt the family, and their willingness is to stick to the traditional beliefs. Director Philippe Lioret used a family tragedy to show the blockage and unblocking of the connection between two generations. The fundamental purpose of this is to imply that the obstacle to intergenerational communication is the tragedy itself.
A tortuous journey in Lily's life is shown through the film, and its deep meaning is worth pondering and recollecting.
