Sophie Marceau's distorted face turns into Bellucci's picture which is quite intimidating. The story of the film is reminiscent of Krzysztof Kieslowski 's "Two Flowers"
The film’s deliberate narrative confusion is not complicated if it is told in a normal way, but Defan is obviously not willing to be so conservative and concise. For more than ten minutes in the film, Jeanna's face is half Sophie and half Monica. The facial features of the two beauties are rigidly collaged on one face, becoming weird and ugly. This completely unreasonable look, outsiders are not surprised by the changes in the heroine, the repeated changes in the characters and the environment, which have blurred the boundaries between reality and imagination.
The biggest selling point of the film is the "dude" between two European beauties. The most talked about is the process of letting Na change her face. The reconstruction of facial features through 3D technology, and the delicate makeup of the eyes and bridge of the nose, let the audience experience the most complete and detailed "face-changing magic" in the history of film.
The atmosphere of capturing people and the handicap of the two superstars allowed the audience to forgive the director's stupidity (especially at the end) and the male partner who was eclipsed by the contrast. The processing of the film is not as deep as the latter, and the structure is looser.
