Don't Come Knocking evaluation action
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Davonte 2022-04-22 07:01:49
The escape in the first half is better than the inner conflict in the second half. This mixed and alienated emotional reinforcement of external contradictions is definitely the result of a compromise to the Hollywood genre.
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Laverne 2022-01-22 08:03:04
First of all, I saw this disc because of his colors, a kind of Mediterranean sunshine. Of course, this is not a southern European film Wenders has always had a style I like, quiet and not desolate. The music in the film Also quite listening
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Earl: [singing] Where is Howard? Who is Howard? We wanna know, we wanna know. Where is Howard? Who is Howard? Where did he go, where did he go? He's down in the ditches. He's down in the ground. Disappeared himself. He's no-where to be found! Where is Howard? Who is Howard? He's long gone, he's long gone.
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Howard Spence: Mind if I turn the radio on?
Sutter: Yes, I do, as a matter of fact. I don't like outside influence.
Howard Spence: Outside?
Sutter: That's right. The world at large. It's a nasty place. Why allow it in? Livestalk reports, Navajo chanting, beheadings, bestiality. Nothing's changed. Black Death, the Inquisition, the Crusades, conquest of Mexico. What's changed?
Howard Spence: I was thinking...
Sutter: What?
Howard Spence: I don't know.
Sutter: Nothing's changed.
Howard Spence: Guess not.