This is a typical Italian western film.
With Sergio Leone westerns quite similar: quiet (in the audience seems just happens to have a sense of humor), Lengjun prodigal Qiangke, on the ground outside the law (wilderness, unknown town) came and went .
1. In appearance, the protagonist Francesco Sparanero is a bit like Nobody in " Il mio nome è Nessuno ". Of course, in character, Django obviously belongs to "Little Li Tanhua " , THE ELEVENTH SON , or Sergio Leone, the protagonist in the Clint Eastwood movie, etc., the kind of characters who have a rather unfortunate past and are enveloped by sad memories.
2. At first, my conjectures about the coffin were:
1. Empty. When a prostitute approached him and asked, "Is anyone in there?" Django faintly replied, "A guy named Django". I think Django is probably ready to die at any time, and then was thrown into this coffin, as Colonel Jackson mocked in the film, "You are smart, with a coffin behind you, so that you will be treated with dignity: You die Later they will be buried. Usually we abandon the northern villains into the wild and feed the bald eagles.".
2. There is a person who has been dead for a long time, his relatives, friends, and lovers, in short, represent his unfortunate past: he drags this coffin, which is equivalent to being held back by the past. However, this kind of speculation is unlikely, because the person in the film did not express any stench from it.
3. Money. Maybe it just made a fortune and put the seized property (mainly gold or something) in it. Dragging it all the way is a deception, because it is shocking and horrifying, no one can think of it (and the locals still have faith, so they hurried to draw a cross when they saw the coffin).
When Django took out the machine gun and aimed at Jackson and returned the forty men who brought me crazy bursts of fire, I couldn't help laughing: too domineering! It reminds me of the appearance of the final protagonist in " A Fistful Of Dollars " in the explosive delay, and the opening of the protagonist in " Two Mules for Sister Sara " (Two Mules for Sister Sara: 1970, Shirley McLean) to rescue the nun But sitting behind the big rock, facing the culprit and the kidnapped nun, threw a large detonator that had been ignited! All belong to the powerful, high-handed style of acting.
At this moment, Django returned from the prodigal gunner back to his former identity, "I fought for the north".
Third, the heroine is a typical beauty!
Fourth, the power setting is similar to the three-party interaction in "A Fistful Of Dollars": two hostile groups, plus the protagonist outside the two parties.
